The Japan News by The Yomiuri Shimbun
KILIM ADDS COLOR TO LIFE WITH EXOTIC PATTERNS
Kilim, a traditional hand-woven fabric, gives a feeling of warmth and adds a tasteful touch to your life. ose made in Turkey are known for their bold color combinations and exotic geometric patterns. Kilim is so versatile, it is used to make items ranging from rugs to bags. You can also weave it by yourself.
Kilim and its weaving techniques have been handed down among nomads in and around the Middle East, with Turkey being a major production base. Its origin is believed to date back thousands of years.
In addition to serving as everyday items such as rugs and bags, it has been used to make as interior ornaments, too.
Kilim is traditionally woven by nomadic women during breaks in their housework and child-rearing. Finished items o en have uneven color tones and asymmetrical motifs.
“e spontaneous feature is the greatest charm of Kilim,” said Yukiko Koyun, who teaches Kilim weaving. “ere are some errors in the weaving, but that is rather accepted as giving it a human touch. I feel warmth from it.”
Koyun was born in Nagasaki Prefecture in 1967. She moved to Turkey in 1996 and learned to make Kilim. In 1998, she started teaching Kilim weaving techniques at home. She now gives classes in Tokyo and Kanagawa Prefecture. She also has a video on how to make Kilim on her YouTube channel.
Kilim is mainly used to create large rugs in Turkey.
In contrast, Koyun recommends making coasters, 10 by 10 centimeters, saying that the compact size makes it easier for people to use in their daily lives. By using thicker yarn, even a beginner can nish a piece with a simple motif in a few hours.
e weaving process is not very complicated. e warp threads are stretched over a wooden frame, which serves as a simple loom. e we yarn is interwoven with the warp threads from le to right and vice versa repeatedly. When weaving, the we threads need to occasionally be pressed close
to each other with a comb, applied from above so its teeth go through the warp threads, to make the piece more durable.
“Once you get the hang of the technique, you can weave whenever you want and wherever you are,” Koyun said. “It may make you feel refreshed because you need to concentrate when doing it and you end up forgetting other things during that time.”
e patterns have been handed down from generation to generation, including symbols to ward o evil spirits and pray for good harvests and happiness.
A diamond-shaped eye-like pattern, for example, is a motif to protect someone from the gaze of evil people. And a star-shaped motif represents a wish for
happiness. Motifs di er between tribes and regions, Koyun says.
e number of nomads has decreased over the years, as they have become more settled. e traditional culture of weaving Kilim for home use is disappearing, Koyun says.
She places importance on using color
schemes and patterns of old Kilim pieces to pay respect to the people of the past.
“When you use Kilim items in your daily life, their powerful colors and patterns make you feel happy,” Koyun said. “I believe that having time for weaving by yourself will also enrich your life.”