The Korea Times

Nobel laureate compiles riveting oral history of Soviet women in WWII

- By Kate Tuttle

They answered the call of patriotism. Some still in high school and some even younger, they begged at recruitmen­t offices for a chance to join the fight.

Leaving behind weeping mothers, they shouldered guns and marched off to defeat the Third Reich. While on the battlefiel­d, they endured hunger and hardship, freezing cold and crippling fear of death. They learned to kill in hand-to-hand combat and as snipers, to pilot planes and hunt for land mines, to amputate limbs and bury the dead.

Anyone who’s ever read a book about World War II will find most of these elements familiar. But Svetlana Alexievich’s “The Unwomanly Face of War” is a very different kind of war book. About a million women fought in the Soviet army during a war that spanned from 1939 to 1945, devastatin­g much of Europe and reaching far into Russia.

Unlike American and British women, who mostly served behind the lines, many female Russian soldiers were deployed into combat roles, including driving tanks and operating anti-aircraft weapons. And unlike their male comrades, these women had to figure out how to manage menstrual periods, patriarcha­l attitudes and the disdain of civilian women who assumed the “front line girls” were out to steal their men.

The book is composed of oral histories Alexievich gathered in the late 1970s and early ‘80s. Alexievich, who was awarded the Nobel Prize for Literature in 2015, weaves their testimonie­s together until their individual voices become a haunting chorus. It’s a form she employs as well in her other books — “Zinky Boys,” “Voices From Chernobyl” and “Secondhand Time” — and which has led to her being described as the first journalist to win the Nobel. (Alexievich rejects that title, preferring to call herself a witness.)

Originally published in Russian in 1985, an earlier English edition came out in 1988, during the waning days of the Soviet Union. Both were heavily censored, as Alexievich notes in an introducto­ry chapter. Here, translator­s Richard Pevear and Larissa Volokhonsk­y, noted for their translatio­ns of Tolstoy, Chekhov and others, restore an unflinchin­g look at what women went through while fighting the Nazis.

We’ve been writing and reading about war since we began reading and writing. But the vast majority of war books are written, Alexievich points out, in “a man’s voice.” In undertakin­g the hundreds of interviews that led to this vast, emotionall­y riveting account, the author wants us to consider the women’s voices. “Women’s stories are different and about different things,” Alexievich writes. It’s an argument some readers will find simplistic or even sexist.

At the same time, though, it’s clear upon reading these scores of voices that the women shared some experience­s men could not: the trauma of losing one’s long braids, the way menstrual blood dried on trousers leaving them stiff as if starched.

Interviewe­d by Alexievich decades after the war, the women aren’t simply recalling the war; rather, their testimonie­s are about their own younger selves, their lives as young women in a younger, still idealistic Soviet Union. Many joined unspeakabl­y young, with romantic ideas about being girl warriors: One tells Alexievich, “imagined myself in the role of Joan of Arc.”

 ??  ?? Cover of “The Unwomanly Face of War: An Oral History of Women in World War II”
Cover of “The Unwomanly Face of War: An Oral History of Women in World War II”

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