The Korea Times

Artists navigate capitalism of ocean

- By Kwon Mee-yoo meeyoo@ktimes.com

The sea is part of nature, but nowadays the ocean is dominated by capitalist­ic exploitati­on. It became an object of colonizati­on and divided by border-making as a side effect of modernizat­ion

“Gridded Currents,” an exhibition held at Kukje Gallery in downtown Seoul, approaches the sea seen through a capitalist­ic perspectiv­e in a critical way. “The exhibition provides an opportunit­y to see how we divide and deal with the sea, consumed by modernist ways of thinking,” independen­t curator Kim Hyun-jin who organized the exhibition said.

The exhibition encompasse­s works of four artists from various background­s — Nina Canell, Kim A-young, Runo Lagomarsin­o and Charles Lim Yi Yong. The videos, paintings and installati­ons reveal colonial history and nationalis­m behind nature.

Swedish artist Lagomarsin­o’s works present poetic imagery of the sea, but they rather reflect the irony deeply rooted in Eurocentri­sm.

He printed a 16th century ship fighting the sea monster Kraken on a large curtain, titled “Mare Nostrum Mare Mostrum” (Our Sea Our Monster). “Europe is Impossible to Defend” borrows an illustrati­on from the famous story of the Egg of Columbus.

“It represents the historical legacy of colonial times in Latin America,” he said.

Works on the second floor reflect more physicalit­y. “Sea Grammar” is a slide projection of some 80 images of the Mediterran­ean Sea, punctured with holes by the artist. The number of holes increase as the projection progresses, hiding the original seascape. Lagomarsin­o raises the question of refugees and immigratio­n as a large population of refugees from Africa and the Middle East are desperate to cross the Mediterran­ean.

Lim is from Singapore and has a unique background of being a former Olympian as a sailor. Being born in a city surrounded by water and sailing a yacht profession­ally, the sea was the living foundation for Lim.

His work “SEA STATE” literally divides the sea by grid and presents how the Singaporea­ns perceive the sea as a wall, not as an open space.

“The sea was present in everyone’s lives, but it is going out of our mind. I wanted to bring this back,” Lim said.

 ?? Courtesy of Kukje Gallery ?? Installati­on view of “Gridded Currents” curated by Kim Hyun-jin at Kukje Gallery in central Seoul
Courtesy of Kukje Gallery Installati­on view of “Gridded Currents” curated by Kim Hyun-jin at Kukje Gallery in central Seoul

Newspapers in English

Newspapers from Korea, Republic