Arab Times

Strong slate of Norwegian films fuels fest’s selection

Festival celebrates local movies in global mix

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LOS ANGELES, Aug 22, (RTRS): The 44th Norwegian Intl Film Festival kicked off its main program Aug 21 with the world premiere of a local film, Vibeke Idsoe’s “The Lion Woman” (“Lovekvinne­n”), and it will close Aug 25 with the launch of another domestic production, Henrik Martin Dahlsbakke­n’s “Cave”. On Aug 22, Benjamin Ree will have the first Norwegian presentati­on of his documentar­y “Magnus” after it has toured five internatio­nal festivals including Tribeca-New York, Munich and Moscow.

But not only the main competitio­n has Norwegian entries: a total of 19 local films have been selected for this year’s showcase, with Peder Hamdahl Naess’ “Little Grey Fergie — Full Throttle” (“Grasass gir gass”), the fifth film about Norway’s most famous tractor, a Ferguson TE20, in Cinemagi, the children’s festival, others in the documentar­y, short film, Next Nordic Generation and Norwegian National Film School sections. Three Haugesund films sneak-opened the festival: Karl Johan Paulsen’s documentar­y “Gold Is Running in the Streets — a City Built on Herring Bones”, Cato M. Ekrene’s short “Run”, and Andre Loyning’s documentar­y “Cocks & Crosses”.

“There are several reasons for the strong Norwegian representa­tion,” said festival and program director Tonje Hardersen, of the Norwegian Internatio­nal Film Festival. “First and foremost the opening films in 2015 and 2016 — Roar Uthaug’s ‘The Wave’ and ‘The Lion Woman’ — show that Norway can deliver production­s that are not inferior to Hollywood grandeur, though on significan­tly smaller budgets. At the same time Norwegian cinema in 2016 is marked by a couple of young, aspiring filmmakers, who already deliver top level features — at this years festival we have two films by 27-year-old directors, Dahlsbakke­n’s ‘Cave’ and Ree’s ‘Magnus’”.

Exceeded

Hardersen notes that “kidpics are usually best-sellers in the Norwegian cinemas — last year they accounted for almost half of Norwegian admissions, and four titles exceeded a total of one million admissions. But most of them are adaptation­s, and the reviewers didn’t like them. So I look forward to the Aug 23 festival debate about children’s cinema. Norwegian documentar­ies have in recent years reached still larger audiences, and we show them in several sections, including Cinemagi: ‘Dancing Hearts’ from, Erlend E. Mo, Hanna Heilborn and Victor Kossakovsk­y.”

While Denmark’s LevelK is only starting internatio­nal sales for “Cave” in Haugesund, both “The Lion Woman” and “Magnus” have been widely licensed internatio­nally by Denmark’s TrustNordi­sk. Idsoe’s period drama has been acquired for 70 countries including China, France, Benelux, and Latin America; 46 have been contracted for Ree’s documentar­y including North America, UK/Ireland, Germany/Austria, France, Benelux, and Russia.

Based on Norwegian author Erik Fosnes Hansen’s novel, although with a new ending, “The Lion Woman” — which, with a $10 million budget, is Norway’s second-most expensive feature — is set between 1912-1937 and follows Eva, who is born with hair covering her whole body. Despite the many challenges she faces, she manages to overcome them. Starring Rolf Lassgard, Connie Nielsen, Burghart Klaussner and Kjersti Tveteras, it was produced by Norwegian veteran producer John M Jacobsen’s Oslo outfit, Filmkamera­tene.

In “Magnus”, Ree portrays Magnus Carlsen, who as a 13-year-old introvert schoolboy mostly interested in chess and bullied by his classmates, declared, “I hope to become the world chess champion.” In 2013, at 22, he did become the world chess champion. The documentar­y about his way to the title was produced by Sigurd Mikal Karoliusse­n, for Moskus Film.

“‘Cave’ is something different from my previous films, an intense action-thriller about a group of former military elites who set out to explore an uncharted abyss. We filmed everything on location in Norway, except for some underwater scenes in Mexico — I think people will be utterly surprised when they see the result,” said Norwegian director Dahlsbakke­n about his festival closing feature. Starring Heidi Toini, Mads Sjogard Pettersen, Benjamin Helstad and Ingar Helge Gimle, it was produced by Dahlsbakke­n for Filmbros.

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