With arched brow, star found humor in ‘Bond’
Celebs remember Moore
LOS ANGELES, May 24: Sir Roger Moore always made sure to laugh at himself before the audience could.
With a mere arch of an eyebrow, Moore, whose wit was drier than James Bond’s martinis, could convey a skepticism of his accidental profession, disarming good looks and the suave characters he often played, from Bond to Simon Templar, all while saving the day and charming a scantily clad girl in the process.
Sporting a posh accent and square jaw, Moore, who died Tuesday at age 89, looked the part of a movie star and a debonair international spy. But beneath the surface, the policeman’s son from South London, a sickly child and plump kid who always chose a joke over a street fight, saw the inherent ridiculousness of 007 — and left an indelible mark on the role, and a generation, because of it.
“You can’t be a real spy and have everybody in the world know who you are and what your drink is,” Moore often said. “That’s just hysterically funny.”
A large part of his charm is that Moore never set out to be an actor. As a teenager, on a lark, he tagged along with some friends doing crowd work on the Vivien Leigh and Claude Raines film “Caesar and Cleopatra” and caught the eye of someone who thought he should meet the director.
“He said I think you should be trained. I said, ‘Oh how wonderful,’” Moore recalled in an interview. “So I rushed home and told my mother I was going to be Stewart Granger.”
Stardom did not come immediately, however. Moore toiled as a working actor, in television and films in the UK, and then in the US as a studio contract player for MGM before breaking through in a few television roles, in “Maverick” and then “The Saint.” The long-running show “The Saint” about the witty and charming romantic hero Simon Templar, many noted, was not unlike Moore himself — and would inform how he chose to play James Bond over the course of seven films, starting with “Live and Let Die” from 1973 and ending with “A View to a Kill” in 1985.
For many, “The Spy Who Loved Me,” from 1977, is one of the greatest Bond films, and certainly the best for Moore — even though praise at the time was almost backhanded.
Unflappable
“Roger Moore is so enjoyably unflappable that you sometimes have to look closely to make sure he’s still breathing,” wrote critic Janet Maslin in the New York Times. “But his exaggerated composure amounts to a kind of backhanded liveliness. Though Mr Moore doesn’t compromise the character, he makes it amusingly clear that hedonism isn’t all it’s cracked up to be.”
Moore knew his own shortcomings, and would joke about them readily. He liked to say that the difference between The Saint and James Bond was in the eyebrow.
“In ‘The Saint’ I did raise my eyebrow,” Moore would say. “I don’t think I ever raised my eyebrow in Bond ... except possibly when a bomb went off.”
He spent a lot of his time talking about those eyebrows that some critics tried to lance him for, drolly explaining that he had only three emotions — one eyebrow raised, the other, or both.
“A lot of the time, I laugh at myself as a defense mechanism,” Moore said, always aware that his “even features” were both an asset to stardom and an impediment to being considered a serious actor. There might have been some truth there. Though well-known, Moore never rose to prestige roles. Even in his most well-known part, as Bond, he was doomed to always be compared to his predecessor Sean Connery.
Moore accepted this fate with good humor, insisting throughout his life that Connery’s Bond, more macho and a killer, is the definitive and best interpretation.
In fact, most of his accolades, including his knighthood, came from his work off-screen humanitarian with UNICEF, which he found through his friend Audrey Hepburn.
“He does not regard everything as a laugh, but he would die rather than let you see,” said his friend Michael Caine.
But he carried on the act, like a good soldier, throughout his life. Even recently, when asked what audiences can expect from his well-reviewed one-man stage show, Moore hesitated only to laugh. “Two hours good sleep,” he said. Tributes to the late Roger Moore flooded social media Tuesday following the announcement that the James Bond actor had died at the age of 89 in Switzerland. Singer Boy George hailed Moore as “the king of cool” while Oscar-winning actor Russell Crowe tweeted succinctly: “Roger Moore, loved him.”
In a series of tweets Crowe went on to say he had tried to dress like Moore’s “The Saint” character Simon Templar as a kid.
Missed
MGM chairman and CEO Gary Barber issued a statement saying the actor, who had been a “beloved part of the MGM family for decades,” would be “revered for generations to come” for his “iconic” film and television performances. “His suave sophistication in his defining role as James Bond was matched only by his generosity and kindness,” said Barber. “He bettered the lives of countless individuals around the world through his long-standing involvement with UNICEF as a Goodwill Ambassador. Roger will be sorely missed but always remembered, and our thoughts are with his family.”
Pinewood Studios, where all seven of Moore’s James Bond movies shot and where the actor kept an office since 1970, posted a tribute on its website calling him “a force of nature.” The statement read: “It is with great sadness that Pinewood learns of the passing of Sir Roger Moore, KBE. He has kept an office at the studios since 1970 and he is officially one of our longest standing residents. He joked only recently that he did still ‘make a point of coming in whenever I can to do a little light dusting and hoovering.’ Sir Roger was a force of nature and his humour and amazing spirit will be missed by all of us.”
Director Chris Miller posted a picture of Pinewood’s world-famous 007 stage where he is currently shooting LucasFilm’s untitled Han Solo prequel film. Referencing the innuendo-filled humor of Moore’s era of Bond Miller tweeted: “RIP Roger Moore. I believe he’s attempting re-entry into heaven, sir.”
Jane Seymour, who starred alongside Moore in his first James Bond film “Live and Let Die” in 1973, paid tribute on Instagram. Seymour said the actor had taught her “what a movie star really was and should be” as well as the “true meaning of being a humanitarian.”