Arab Times

James Taylor & Raitt team up for concerts

Rundgren talks about Trump

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NEW YORK, June 13, (Agencies): James Taylor might just be the happiest road warrior touring today, so what makes him happier?

Bringing on old friend Bonnie Raitt this summer for concerts that include the ultimate in Americana, some of the country’s most storied baseball parks.

“I’ve loved her music and her for a long, long time,” Taylor told The Associated Press in a recent interview. “I’ve interacted with Bonnie, and happily so, at numerous benefits for numerous causes — environmen­tal, social, political causes — over the years. We’re very much in sync in that way. She’s an incredible giver.” Among their stops will be Boston’s Fenway Park, where Taylor’s home-state team, the Red Sox, live and where Raitt last joined him on the road in 2015. And the first time? Well, that was back in 1970, when he invited the Harvard junior and budding blues singer, guitar player and songwriter onstage for a campus gig at Sanders Theatre after the two met through a mutual friend.

“I was nervous to play because I hadn’t really broken my chops in for concerts that much,” Raitt said by phone from Toronto while on a swing through Canada. “But I was so excited. It was an honor to be both at my school and opening for him. He couldn’t have been warmer and more friendly. It was intimidati­ng to meet one of my heroes but he was just so down to earth.”

Raitt got her first recording contract and dropped out of school around that time. Though she was based on the West Coast and Taylor on the East, the two stayed in touch over the decades.

“The affection between us is so clear and so palpable. Our two bands love each other. James and I are both social activists and we’re really proud that a dollar of every ticket will be donated to various causes,” Raitt said.

The two haven’t worked up their sets yet but Raitt just may include Taylor’s 1968 “Rainy Day Man”, from his debut album and one of her all-time Taylor favorites, written by him and Zach Wiesner. It’s oldschool Taylor, desperate and lonely, focused on making a dope connection soon after he tried opiates for the first time in real life, setting him on a 20-year path of addiction.

Raitt covered the song in 1974 on her “Streetligh­ts” album.

“What good is that happy lie/All you wanted from the start was to cry/It looks like another fall/Your good friends they don’t seem to help at all/When you’re feeling kind of cold and small/Just look up your rainy day man.”

“It’s so complex and deep as a point of view, especially for someone as young as James when he wrote it,” Raitt said. “He was so insightful and so deeply in touch with the inner workings and the darker side of the human soul and relationsh­ips, and so much of that point of view was so beautifull­y expressed in his music. That song just speaks to me and always has.”

Tour

The summer tour has the two working together for six weeks, kicking off July 6 at Prudential Center in Newark, New Jersey, and winding up at Fenway, Taylor’s third turn there, on Aug 11. Nationals Park in Washington, DC, Wrigley Field in Chicago and AT&T Park in San Francisco are among their other ballpark stops.

Taylor, 69, and Raitt, 67, will play hour sets, guesting for each other as well. Come fall, Taylor will come off the road, where he’s averaged about half of each year for the last three years, to begin work on a new studio album, this one a look back at his musical influences.

“I don’t have a release date. We haven’t started recording yet. Past experience has shown me that if you set a deadline you’re just setting yourself up for a fall. I’m not writing these songs. I’m looking at the songs that basically were the source for my musical education. The way I want to record them is just my guitar arrangemen­ts,” he said.

His last album of original material was in 2015, “Before This World”, some of which explored his road to recovery. The album didn’t come easy. He left the family, including twin teen boys, to hole up in Newport, Rhode Island, following a 13-year gap for release of new songs.

Raitt put out a studio album last year called “Dig in Deep” and generally works in five-year cycles for recording.

“It’s a lot more fun to be out here on the road playing than it is looking for ideas for a new record,” she said. “Some people enjoy writing and it’s always satisfying, but really the payoff for me is being able to travel around and make people happy every night, including me.”

In the 1960s and ’70s, rock fans hardly batted an eye at their musical heroes berating a widely mocked Republican president, but in the 2010s, things may have changed. After Todd Rundgren did a May 14 interview with Variety that touched on his feelings about patrons who’ve walked out of his shows as a result of his remarks about Donald Trump — specifical­ly, “If you’re a Trump supporter, don’t come to my show, because you won’t have a good time; you will likely be offended” — a firestorm resulted, with Breitbart and other conservati­ve sites fostering outrage over his remarks. Twitter users by the tens of thousands urged fellow Trump supporters to boycott Rundgren’s shows.

It was an unexpected tempest as Rundgren promoted a new album, “White Knight”, which includes a comic anti-Trump song, “Tin Foil Hat”, featuring its co-writer, Steely Dan’s Donald Fagen, on lead vocals. Naturally, there were some mixed feelings in Rundgren’s camp, as the brouhaha brought attention to the album and video, even as there were concerns the flap might affect ticket sales not just for his current solo outings but an August classic-rock package tour with the band Yes (dubbed “Yestival”) as well as fall dates as part of Ringo Starr’s All-Starr Band. Plus, it’s not easy to know how seriously or nonchalant­ly to take the threats to do something worse than just stay home from a show.

“Over the 42 years I’ve represente­d Todd, I’ve never been more proud of him,” says his manager, Panacea Entertainm­ent chairman Eric Gardner. “In the ensuing firestorm of death threats and rallying cries for concert and album boycotts following the posting of Variety’s piece, rather than duck for cover and let the storm clouds pass, he ventured headlong into the jaws of the beast by accepting Fox News Channel’s invitation.” (The network also premiered the “Tin Foil Hat” video).

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