By Sandy Cohen

Y(Verve Decca) The artist now known as Yusuf/Cat Stevens did more than borrow from his own catalog for his latest album. He also reunited with the producer and acoustic guitarist who worked on his seminal hits from the 1970s, resulting in a new album that sounds like old Cat Stevens with even more light and wisdom than before.

Fifty years after Cat Stevens’ debut album, “The Laughing Heart” blends reimagined songs from 1967 with new compositions and newly completed 50-year-old unfinished tracks.

Yet with Alun Davies’ sparkling guitars and Paul Samwell-Smith’s crisp production, the 11 songs sound like a cohesive set of tunes that always belonged together, and carry through themes of so much of Yusuf/ Cat Stevens’ music: love and the joy of childhood.

Two new tracks stand out for their instant timelessness. “See What Love Did to Me,” the bright and cheery single, extols the life-changing power of love. It also boasts the most rocking bridge on the album.

“You Can Do (Whatever)!” is reminiscent of the beloved hit “Wild World,” in both tone and message. “You can ride a tiger or walk the dog,” he sings. “Anything you wish can be true.”

The 69-year-old grandfather of eight also updated a song that first appeared on his 2000 greatest hits anthology. “Grandsons,” about the many delights a grandfather derives from his grandkids, is like a bookend to his 1970 hit “Father and Son.”

Stevens

“The Laughing Apple”

“Concrete and Gold” RCA Records)

When it was learned the Foo Fighters had turned to a polished pop producer for their next album — a hitmaker for Sia, no less — you could be forgiven for fearing the band was shedding their hard-charging skin. After listening to “Concrete and Gold,” it’s clear that’s a bunch of fooey.

Pushed

(Roswell/

Greg Kurstin, a member of the indie-pop duo the Bird and the Bee who produced Adele’s “Hello” and Kelly Clarkson’s “Stronger (What Doesn’t Kill You),” has actually pushed the band into some harder places over the 11 tracks. The Foos can’t stop rocking, even despite an uncredited appearance by Justin Timberlake.

Take the outstanding “Run,” which starts with smoldering chords and soft vocals before building into an apex of thrash metal with Dave Grohl impressively reaching deep into his throat, only to repeat the sonic cycle again — and again. This is thrilling, heroic rock, and even harder than the blistering, Grammy-winning single “White Limo” from 2011.

“Make It Right” finds the Foos doing their best ’70s stomping rock impersonation and it goes down well (listen closely and you’ll hear JT offer background harmonizing.) “La Dee Da” is a jolt of glam rock with distorted vocals and nihilistic lyrics. “Dirty Water” is a shimmering, blissed-out slice of ‘60s-inspired altrock with an assist from the Bird and the Bee’s Inara George that morphs into a head-banger. The dirgelike title song is reminiscent of classic Pink Floyd.