Arab Times

Sting, Shaggy team up

Sunny reggae album

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SBy Mark Kennedy

ting & Shaggy, “44/876” (A&M/ Interscope Records) The fact that Shaggy and Sting are teaming up on a CD does, admittedly, sound like a gimmick. Why are these two very different artists together? Because they happen to be known by a single name? Why not keep going and add Shakira, Sia, Slash and Seal?

Maybe one day, but put the snarkiness aside and enjoy this warm bromance between the Jamaican dancehall king and the cool, intellectu­al Englishman.

“44/876” — the title is a combo of the phone country codes for Sting’s native England and Shaggy’s Jamaica — makes sense as soon as you recall Sting’s liberal use of reggae rhythms as part of The Police.

It turns out there’s real chemistry between Shaggy, whose deep, thick cadences made “Boombastic” and “It Wasn’t Me” such beloved hits, and Sting’s flexible, honeyed voice.

Collaborat­ion

The duo helped write every song on the 12-track album and their collaborat­ion has triggered some interestin­g — some might say curious — songwritin­g, including lifted poetry from Lewis Carroll for “Just One Lifetime” and some role-playing (Shaggy portrays a judge and Sting a defendant on the innovative “Crooked Tree”).

The first, title song smartly honors Bob Marley — Sting says Marley’s ghost “haunts me to this day/ There’s a spiritual truth in the words of his song” — as a way of inoculatin­g everyone for this quirky offering. Then it’s off to more trop-hop on this sunny Caribbean jaunt.

There’s the pro-immigrant, Motown-inflected “Dreaming in the U.S.A.” where Shaggy, a former US Marine, notes he defended the nation. That adds weight to his statement: “I await the day when we will all inhabit a better America.”

Sting, for his part, seems fed up with Britain: “The politics of this country are getting to me,” he sings in one song. Then in the slinky standout “Waiting for the Break of Day,” he hits again: “You see some politician­s/ You hear the things they say/ You hear the falseness in their positions.”

Branford Marsalis stops by to play sax and Robbie Shakespear­e helps on bass. Sting’s daughter, Eliot Sumner, gets a writing credit and sings on “Night Shift.” Others featured on the CD are Eliot Sumner and Morgan Heritage.

Also: LOS ANGELES:

Carrie Underwood announced today that “Cry Pretty,” her first studio album on Capitol Records Nashville, will be released on Sept 14.

The album’s title track and lead single was released on April 11, and the singer performed it Sunday night at the Academy of Country Music Awards in her first public appearance since suffering an injury that left her with a broken wrist and 40 to 50 stitches in her face (from which she seems to have recovered quite nicely). Also at the awards she took home her 14th ACM Award, this one Vocal Event of the Year for “The Fighter,” her duet with Keith Urban. (Agencies)

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