Arab Times

Gustav Moller talks remakes, suspense

‘Guilty’ taut thriller

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DMoller

LOS ANGELES:

By Ed Meza

anish director in Sarajevo with his internatio­nal festival hit “The Guilty”, is set to continue his genre-busting work with a new project in developmen­t after turning down an offer to direct a remake of his debut film.

“The Guilty” is a taut thriller about a police dispatcher, played Jakob Cedergren, trying to help a kidnapped woman after receiving her emergency call. The pic has racked up a slew of awards on the internatio­nal circuit since premiering at Sundance earlier this year and made a major splash at the Sarajevo Film Festival, where it received a rousing reception on Saturday.

Moller told Variety that there has been a lot of interest from around the world for remake rights to the film. But he himself has no interest in revisiting the “The Guilty”.

“I’ve been asked about remaking it myself in another language – you can guess which one – but I’m not interested in doing that,” he said. “Making a film has to be like be an unanswered question. You have this challenge ahead of you and that you are trying to resolve. When the film is done, the question is dead and the challenge is over.”

Moller is instead currently writing his next project, a modern-day genre film loosely based on true events. Like “The Guilty”, the new film, planned as a Scandinavi­an production, will break with traditiona­l convention­s.

“I definitely want to continue working in the tradition of genre film, but find an angle that hasn’t been seen before. I need a concept, an angle, because I’m not interested in just making a threeact-structure film. I can’t invest several years just to doing that,” he said, adding: “What I want to do is work with genre film in a way that uses it to draw audiences in, not only to entertain them but also to challenge their world-views and introduce complex subject matter.”

Moller’s biggest inspiratio­n for “The Guilty” wasn’t a film but a podcast: Sarah Koenig and Julie Snyder’s “Serial”, about the 1999 murder of a US high school student in Maryland and the arrest and conviction of her ex-boyfriend for the crime.

“With every episode I got new informatio­n about the people involved and the places and occurrence­s. With every episode my image of these people changed,” he said. “That was a direct inspiratio­n that me and my co-writer talked about: how to organicall­y add informatio­n and organicall­y have the images change throughout the film.”

As for cinematic inspiratio­n, Moller cites Sidney Lumet’s “Dog Day Afternoon”. “The whole feel of that film, the nerve-wrecking stress that is in that film – that inspired the way we shot the film, using several cameras during very long takes.”

Moller got the idea for “The Guilty” after listening to a YouTube clip of a real emergency 911 call from a kidnapped woman in a car who spoke to the dispatcher in code while sitting next to her kidnapper. He was struck by how suspensefu­l listening to a 20-minute-long phone call could be. “It felt like I was seeing images just listening to sound. It felt like I had seen this woman; I had an idea of the car she was sitting in and the road they were driving on.”

Intrigued by the fact that everyone listening to the same audio clip was seeing different images, Moller and co-writer Emil Nygaard Albertsen set out to write a story “that would play out in different ways, in which everyone would have a unique experience, like watching their own film.”

Moller sought to make a film that starts off as a crime thriller, complete with stereotype­s and a familiar story, in order to draw in audiences, but which “then transcends into something more existentia­l.”

The film’s limited setting in a police dispatch center and his paltry of EUR500,000 ($570,671) were in reality “a gift, because it makes you work harder and think outside of the box in how to create suspense.”

The film also boasts a powerful performanc­e by Cedergren. “He’s a fantastic actor. He has this quality – there’s a sense of mystery about him; it’s like he’s keeping a secret from you, and that’s what I needed for this part.”

Also:

“90210” alum will play a fighter pilot in the World War II action movie “Wolf Hound”, Variety has learned exclusivel­y.

“Wolf Hound” is inspired by the real-life plot designed to fly Allied aircraft as Trojan horses behind enemy lines. The action takes place in 1944 as a fighter pilot escorts a B-17 bomber into Nazi territory and engages in a one-on-one aerial joust with a Nazi ace pilot, destroying both of their planes and forcing them to bail out and parachute to the forest floor. Donovan will play German ace

Donovan’s real-life grandfathe­r served in the Navy during World War II, along with his uncle who was in the Army and received two Purple Hearts. James Maslow will also star in “Wolf Hound” as a fighter pilot for the Allies.

will be making his feature directoria­l debut with “Wolf Hound”. Chait is directing “Wolf Hound” from a screenplay by Timothy Ritchey and his story. will be producing the film along with Chait for TMU Pictures.

Donovan will also star in the upcoming actioncome­dy “Hot Water.” His other projects include MGM and Will Packer Media’s limited series “The Baxter Family”, as well as the mini-series “Runaway Romance” on UPtv. His TV credits include recurring roles on “Sun Records”, “The Client List”, “Melissa & Joey”, “Awkward”, “NCIS” and “Lucifer”. (RTRS)

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