Arab Times

Jenkins’ ‘If Beale Street Could Talk’ is lyrical and lovely

‘Doctor Strange’ director Derrickson to return for sequel

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By Lindsey Bahr

very black person born in America was born on Beale Street... whether in Jackson, Mississipp­i, or in Harlem, New York,’ reads the title card that begins director Barry Jenkins’ “If Beale Street Could Talk”.

The quote is from a 1974 James Baldwin novel, which Jenkins has adapted himself for his first film since 2016’s “Moonlight”. The story is, loosely, about a pregnant woman, Tish (KiKi Layne, a phenomenal breakout) and her partner Fonny (Stephan James), who has been wrongly jailed for a crime he didn’t commit. Tish and Fonny are both achingly young and beautiful, full of promise and hope even amid all the institutio­nal obstacles and injustices that they face in daily life in 1970s Harlem, like not being able to rent their own apartment, or buy groceries at the local mart without being reassessed by a police officer.

Their future, however, is dashed when Fonny is jailed because a woman across town has wrongly identified him as her rapist. Tish has to tell Fonny she’s pregnant through a glass window. Somehow, at least at first, the circumstan­ces aren’t enough to break their spirits, although there is the sense that both are just putting on a brave face for the other.

Back at home, Tish’s family celebrates their daughter. Mom, Sharon (Regina King in a powerful performanc­e), sister, Ernestine (Teyonah Parris) and dad, Joseph (Colman Domingo), open up the sherry, put on a record and call Fonny’s family over to continue spreading the news.

There are three wholly unforgetta­ble scenes in “If Beale Street Could Talk”, and the electric showdown between Fonny’s religious and snobbish mother (Aunjanue Ellis) and Tish’s family is one of them. Another is a stirringly haunting monologue from Brian Tyree Henry, which unfortunat­ely is really his only significan­t scene in the film, and the third is Sharon’s heartbreak­ing talk with Fonny’s accuser. All are well-worth the price of admission

Emphatheti­c

Not everything works totally, in between these barnburner­s there is a lot of sleepy down time (still gorgeously shot and scored) and a few moments that just don’t quite work the way they probably should, like Dave Franco as an empathetic Jewish landlord who just loves love.

The film plays more like a free verse poem than a traditiona­l narrative, jumping back and forth between moments chroniclin­g the origins of Tish and Fonny’s relationsh­ip, and Tish’s struggle to prove Fonny’s innocence in the present.

Jenkins and cinematogr­apher James Laxton (“Moonlight”) use close ups, and straight on shots of his actors looking right into the camera as though they are speaking to the audience and daring them to notice. It’s startlingl­y impactful and bold, like the perfectly bright clothes costumer Caroline Eselin has chosen to help flesh out this world and its characters. Does anyone use colors as perfectly as Jenkins does? Whether it’s a red leather booth or a yellow coat, everything in his frame is there for a reason, and every shot is like its own beautiful painting come to life.

The whole production makes the film a transporti­ng experience, heady and intoxicati­ng, but perhaps the most important ingredient in bringing it all together is Nicholas Britell’s elegantly subtle and heartrendi­ng score.

“Moonlight” is a hard act to follow, and while “Beale Street” might not quite reach the heights of Jenkins’ instant classic of a best picture-winner, it is its own kind of marvel, lovely, transcende­nt, heartbreak­ing and as smooth as its jazzy soundtrack.

LOS ANGELES:

Also:

Scott Derrickson

“Doctor Strange” director up for Disney-Marvel’s sequel.

The studio, which had no comment, is about to start searching for a writer. Derrickson co-wrote the 2016 original with C. Robert Cargill and Jon Spaihts.

Benedict Cumberbatc­h is expected to reprise his role as Stephen Strange, along with co-stars Benedict Wong and Rachel McAdams. “Doctor Strange” centered on Cumberbatc­h’s surgeon character deciding to practice mystic arts after a career-ending car accident that left his hands injured. Instead, he began learning about the astral plane, the hidden world of magic, and other dimensions. (Agencies)

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