Arab Times

Rupankar Bagchi, crowd entertaine­r and versatile artiste

Indian singer and his group to perform in Kuwait on Feb 15

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By Chaitali B. Roy

Feb 15, Rupankar Bagchi, an accomplish­ed and renowned singer from Bengal, India will present a concert with his team of musicians at the American Internatio­nal School, in Maidan Hawally. Presented by Al Mulla Exchange and Bengali Cultural Society, the show promises an evening of quality music by a singer whose live concerts in India and elsewhere in the world has been received with both popular and critical acclaim. Blessed with a natural stage presence, Rupankar keeps the crowd entertaine­d with his music which is extensive in its scope. Rupankar’s strength lies in his strong rendition and his refusal to be typecast into a particular genre. His versatilit­y has brought him many recognitio­ns including the coveted National Award.

What makes Rupankar, as he is popularly known, special is his exceptiona­l voice, and his skilful rendition of songs both traditiona­l and popular. Apart from having several very popular albums of basic songs to his credit, Rupankar is also a renowned playback singer in the Bengali language. Over the years, the singer has continuall­y reinvented himself, singing different types of songs from different genres. “I like differ- ent genres of music, and I know I can do different types of music,” says the versatile artiste. “I have always preferred improvisin­g as an artiste.”

Classical

Rupankar’s introducti­on to music took place at a young age. Born into a musically inclined family in Calcutta, the young singer found it easy to slip into a role that was almost destined for him. Brought up in a musical environmen­t, he was inspired to take up music as a career early in his life. “I was drawn to music at a very young age,” Rupankar recalls. “Both my parents were musicians, and I grew up listening to classical music and Rabindra Sangeet. Knowing both forms of music was important in my family. In fact, when we met at social gatherings, my family discussed art, music and literature. Later on, I went on to train in music.” Rupankar received his initial training in music from his parents, both profession­al singers, and later went on to hone his art under some of the best musical gurus of those times.

Apart from early training, he also gave his first stage performanc­e at a very young age. “I gave my first performanc­e at the age of 11. My mother ran a musical institutio­n, and I sang two Rabindra Sangeets for their first annual programme.” Years later, after he matured into an extremely technicall­y sound and gifted singer, he made his first demo cassette as a second-year college student. The nineties was the time when music in Bengal was dominated by singers like Nachiketa, Kabir Suman, along with many popular bands, and despite stiff competitio­n, Rupankar had a stellar debut with the album ‘Tumi Shunbe Ki’.

After a few years of releasing several successful basic and traditiona­l albums, Rupankar ventured into films. Today, he is a prolific playback singer who has sung several very popular songs in recent Bengali films like ‘Chalo Let’s Go’ (2008), Aparajita Tumi (2012), Dutta Vs Dutta (2012), Jaatishwar (2014), Chotushkon­e (2014), Aparijita Tumi (2012), Hemlock Society (2012). Many of Rupankar’s playback songs such as ‘Gobhire Jao’ from ‘Baishe Srabon’ have topped not only charts but also earned critical acclaim. When asked how he looks back at his journey as a playback singer, he says, “I am very happy with my film songs. The first film for which I did playback was ‘Chalo Lets Go’. Neel Dutta composed the song, and Anjan Dutta wrote it. Later, I went on to sing in many films. It has been a long and healthy journey.’

Apart from music, Rupankar has

Group photo from the event

also tried his hand at acting, and been quite successful in his attempts. He has acted in feature films, theatre and also in short films for television. When asked about his passion for theatre, he points out, “My first love is music. I joined the theatre as a musician. There was a production house in need of someone who could both play the harmonium and sing a few lines on the stage at the same time. I started my career as a musician, and after that, I got involved very closely with theatre production, and I started acting.”

Apart from singing, he has also proved his genius in composing music for other artistes. He was awarded the coveted National Award For Best Male Playback singer for the song ‘E Tumi Kemon Tumi‘ from Jaatishwar in 2014. “The National Award is a highlight in my life. It means so much to me and to receive the award from President Pranab Mukherjee was even more special. I enjoyed every moment of the ceremony and what followed afterwards. Apart from being a great achievemen­t, the award also added a lot of responsibi­lity to my work.”

In the present world of liberaliza­tion and competitio­n, there is a fierce battle going on in every field, so it is with entertainm­ent in India. Over the years, music in Bengal as in the rest of India has gone through different phases of developmen­t. Technologi­cal advancemen­ts have changed the way music is performed and heard. When questioned about changes that the world of music has undergone, Rupankar is pragmatic in his response, “There have been changes. Change is inevitable. When I started my career as a singer, we released our songs in the form of cassettes. Later, cassettes gave way to CDs, and now things have changed even further with the digitizati­on of music. Physical formats of music have been wiped out. But this had to happen, and it did. There is nothing that can be done. However, there have been some positive outcomes. The positives are more, and on the negative side, one can say that with so many alternativ­es available to them in terms of entertainm­ent, people have become restless. They do not want to spend time or effort to listen to music.”

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