Arab Times

Fox’s ‘Masked Singer’ injects new life into a lagging genre

Reality TV gets its groove back

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LOS ANGELES, Feb 14, (RTRS): Reality TV may have gotten its groove back, and it’s all thanks to a bunch of B-list celebritie­s attempting to carry a tune underneath elaborate costumes. The success of Fox’s “The Masked Singer” has injected new life in the unscripted world, which has struggled in recent years to generate the kind of buzz and excitement that defined the genre in the early 2000s.

Now, producers are dusting off edgy formats that might have been considered too outlandish just a year ago, and executives say they’re feeling emboldened to take a chance on unusual concepts. Much like the early golden age of reality, many of those formats hail from overseas – this time especially from territorie­s like South Korea, where the idea behind “Masked Singer” originated.

“There has definitely been a change in pitches and types of pitches,” said Fox alternativ­e entertainm­ent president Rob Wade. “People are definitely thinking in a different way already. They’re like, ‘Hey, I brought this in five years ago, and I was told I was a crazy person, but what about now?’”

“The Masked Singer” features celebs like Ricki Lake, Margaret Cho and Tommy Chong crooning their favorite songs while completely hidden in costumes that, for instance, turn them into a raven, a poodle or a pineapple. It’s silly, it’s visually entertaini­ng and, at the show’s core, there’s a compelling mystery – who’s behind the mask?

Mystery

The series has clearly resonated with audiences. Backed by a hefty Fox marketing campaign, “Masked Singer” opened in January to the highest ratings of any unscripted series in more than seven years. It’s also TV’s top-rated reality show in four years and the No. 3 broadcast network entertainm­ent series of the season (behind “This Is Us” and “The Big Bang Theory”). “Nearly all of the senior heads of networks, cable and streamers have phoned and said, ‘Thank God’,” Wade said. “Because a hit gives you carte blanche, whether you’re at my network or another network, to kind of try different things. It’s difficult to take risks as a network if nothing is working.”

It’s perhaps no coincidenc­e that, as Fox reports it, “The Masked Singer” is also the “first of 357 unscripted series over the past 15 years to rank as the season’s No. 1 unscripted show in its first cycle.” The last program to do that was Fox’s “Joe Millionair­e” in 2003 – among the most memorable series to come out of reality TV’s Outlandish Age.

Alternativ­e

Reality guru Mike Darnell, who ran Fox’s alternativ­e department at the time, was the first person to call Wade the morning after the premiere of “The Masked Singer” to congratula­te him on the numbers. Darnell, now the president of Warner Bros unscripted and alternativ­e TV, agreed that the show harked back to Fox’s reality heyday – when the network took chances on crazy concepts like “Who Wants to Marry a Multi-Millionair­e”, “My Big Fat Obnoxious Fiance”, “The Swan”, “The Littlest Groom”, “Who’s Your Daddy” and “Man vs Beast”.

“It feels very much like the roots of the company,” Darnell said. “I’m very proud of them over there; I think they did a nice job with it. It makes unscripted feel fun, and it also opens up a door to say, ‘Hey, the genre still has a lot of life in it -- it just needs the right thing at the right time.’”

It certainly couldn’t have come at a better moment. While peak TV has fueled a scripted renaissanc­e, reality TV hasn’t been nearly as prolific. That’s been particular­ly true on broadcast, with veteran shows like “Survivor”, “Dancing With the Stars” and “The Voice” taking up most of the primetime shelf space.

“There was a long period of time where not a lot of new hits were broken on broadcast,” ITV Studios America CEO David George said. “We live in an era where everything has to be a safe bet. Network executives take fewer chances. When something like ‘The Masked Singer’ comes along, it should signal to the marketplac­e that outside of the box is something good. We’re hopeful the pendulum is swinging back toward unscripted a little bit.”

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