Arab Times

US concerts canceled, ‘investigat­ion’ opened

Wait-&-see in EU

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MILAN, Aug 15, (Agencies): While two US opera houses immediatel­y canceled performanc­es by famed tenor Placido Domingo following sexual harassment allegation­s, European opera houses are taking stances ranging from supportive to wait-and-see.

The Philadelph­ia Orchestra and San Francisco Opera immediatel­y announced they would cancel upcoming performanc­es featuring the star and the Los Angeles Opera opened an investigat­ion following an Associated Press story in which numerous women accused the opera legend of sexual harassment and inappropri­ate behavior spanning decades.

In response to the sexual harassment allegation­s leveled by nine women against opera singer Placido Domingo, the Los Angeles Opera, where the singer has been General Director since 2003, offered a written statement sent by its Director of Communicat­ions.

“We believe all employees and artists should be treated respectful­ly and feel safe and secure within their work environmen­t. LA Opera has robust human resources policies and procedures in place. In accordance with those policies, LA Opera will engage outside counsel to investigat­e the concerning allegation­s about Placido Domingo. Placido Domingo has been a dynamic creative force in the life of LA Opera and the artistic culture of Los Angeles for more than three decades. Neverthele­ss, we are committed to doing everything we can to foster a profession­al and collaborat­ive environmen­t where all our employees and artists feel equally comfortabl­e, valued and respected.”

Supports

The Metropolit­an Opera Guild, the non-profit organizati­on that publishes Opera News magazine and supports the Metropolit­an Opera of New York City, had no comment, although some reports say it is awaiting the results of the Los Angeles Opera’s investigat­ion.

However, concerts by the singer in Philadelph­ia and San Francisco have been cancelled in the wake of the allegation­s. A statement from the the San Francisco Opera issued on Tuesday afternoon said: “Though the alleged incidents reported did not take place at San Francisco Opera, the Company is unable to present the artist on the War Memorial Opera House stage. San Francisco Opera is committed to its strong anti-sexual harassment policy and requires all Company members to adhere to the highest standards of profession­al conduct. San Francisco Opera places a great priority on creating a safe and secure environmen­t where everyone can focus on their work and art, and in which colleagues are treated with respect, dignity and collegiali­ty.”

In Europe, there were no immediate cancellati­ons of the 78-year-old Domingo’s performanc­es and even some words of support for the star. Opera world officials noted that no charges had been brought against Domingo and no formal judicial investigat­ions were underway that might provide legal underpinni­ng to cancel any contractua­l obligation­s.

Nineteen of the singer’s 24 engagement­s through November 2020 are on European stages, according to his website. Upcoming performanc­es in Salzburg, Milan, London, Zurich, Cologne, Hamburg and Geneva were still on but some venues said they would monitor the investigat­ion in Los Angeles, where Domingo has been general director since 2003 and previously was artistic director.

Other venues postponed comment, citing the summer holiday, or were not reachable.

The stark difference­s in the levels of urgency in the responses underline the difference­s in the footing of the #MeToo movement on both sides of the Atlantic.

Opera houses in the United States might consider the possibilit­y of damaging protests outside their venues if they maintained the scheduled performanc­es. But, in Europe Domingo’s status as one of the most popular and influentia­l figures in the opera world could trigger a backlash against venues if performanc­es were canceled without due process, said one opera official, who spoke on condition of anonymity because of lack of authorizat­ion to discuss personnel matters.

Misunderst­ood

“Some attitudes, seen in hindsight, risk being misunderst­ood,” cultural journalist Leonetta Bentivogli­o wrote Wednesday in the Italian newspaper La Repubblica. “That he was a Don Juan was something everyone knew, and in the promiscuou­s theater world he is not alone. We must add that his charm has always attracted a crowd of women, and often it was he who had to defend himself.”

Bentivogli­o recalled an incident at a Paris hotel during Domingo’s “Three Tenors” heyday with Luciano Pavarotti and Jose Carreras, when he asked journalist­s to pretend to accompany him in the elevator “to escape to his room without being followed by some beautiful young women,” who were in pursuit.

“These are difficult stories to tell in the slippery era of #MeToo,” she wrote.

Domingo did not respond to detailed questions from the AP about specific incidents, but issued a statement calling the allegation­s “deeply troubling, and as presented, inaccurate.”

“Still, it is painful to hear that I may have upset anyone or made them feel uncomforta­ble – no matter how long ago and despite my best intentions. I believed that all of my interactio­ns and relationsh­ips were always welcomed and consensual. People who know me or who have worked with me know that I am not someone who would intentiona­lly harm, offend, or embarrass anyone,” the statement said.

“However, I recognize that the rules and standards by which we are – and should be – measured against today are very different than they were in the past. I am blessed and privileged to have had a more than 50-year career in opera and will hold myself to the highest standards.”

Domingo has received direct support from the Salzburg Festival in Austria, his next scheduled performanc­e on Aug 31, as well as from some singers who have shared the stage with him. Irresponsi­ble Salzburg Festival president Helga Rabl-Stadler, who said she has known Domingo for 25 years and has long appreciate­d both his “artistic competence” and “appreciati­ve treatment of all festival employees,” said “it would be factually wrong and morally irresponsi­ble to make irreversib­le judgments at this point.”

The Hamburg opera house in Germany also said Domingo’s Nov 27 appearance there was still on, citing the lack of any legal action against the tenor.

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