‘Catherine’ delivers the goods

Mirren considers the empress to be ‘superhuman’

FBy Caroline Framke

or some, “Dame Helen Mirren playing Catherine the Great” is all the convincing they’ll need to watch this new biographical limited series, which is perfectly understandable. The casting of Mirren in the role, which follows the Russian empress in the embattled latter years of her life, is a smart choice that proves its worth every time she’s onscreen. As a Catherine clinging to power after a bitter coup with white knuckles and an eye for devoted men, Mirren renders an almost mythic figure with grounded determination, gravitas, and occasionally petty instincts. With Mirren, who is also an executive producer, you know you’re in the hands of a pro – even when the show she’s anchoring lets her down.

Make no mistake: HBO and Sky’s “Catherine the Great”, from “Elizabeth I” writer Nigel Williams, is a handsome and competent production that luxuriates in every regal Russian set it gets (albeit with an occasionally distracting green screen for more elaborate outdoor scenes). Mirren is as good as aforementioned, and Gina McKee especially pops as the Countess Praskovya Bruce, Catherine’s wry confidante with no shortage of tricks up her sleeve. Plus, unlike many more expansive biopics, the series makes the sharp choice to home in on a relatively small slice of its subject’s life in order to devote more time to its intricacies. It must have been tempting, for example, to portray the bloody coup that got Catherine the throne, deposed husband and all. Instead, “Catherine the Great” drops in well after Catherine has secured her reign to explore the tense days of her fighting to maintain control.

And yet: stepping back from the series’ four episodes reveals a disappointing

sociated Press. “There was only one Bill Macy.” (AP)

LOS ANGELES:

David Weisman, who was Oscar-nominated as producer of “Kiss of the Spider Woman”, died Oct 9 in Los Angeles due to complications from West Nile virus. He was 77.

Weisman had a long career as a graphic designer and photographer and co-wrote and co-directed cult classic “Ciao! Manhattan” about 1960s icon Edie Sedgwick. lack of ambition in portraying such a titanic force’s final days. For as fascinating as Catherine and her life at court was, “Catherine the Great” largely chooses to sidestep the ins and outs of her atypically liberal politics and the wars fought in her name to focus on her romance with Grigory Potemkin (Jason Clarke), a charismatic and restless soldier.

Her dynamic with Potemkin is interesting at first, especially as she tries to toy with his emotions while he reluctantly hangs suspended between Catherine and Praskovya. But despite Clarke and Mirren’s commitment to selling every tortured glance and impassioned outcry between them, neither Williams’ scripts nor Philip Martin’s directing manage to sell the depth of their apparent love for each other.

Characters

As it turns out, having several other characters insist that the two must really love each other isn’t quite as convincing as they perhaps think – and then there’s the unfortunate truth that Mirren and Clarke simply don’t have chemistry as palpable as that between Clarke and McKay, whose few mischievous scenes together are more memorable than the many of Catherine and Potemkin circling each other.

Meanwhile, tantalizing morsels of history nip around the edges of the story, only to get batted away by Catherine’s longing for Potemkin to return home. Not even a Crimean takeover or Catherine’s aborted quest to end slavery – fascinating chapters of her life that fed into so much controversy and anger towards the end of her reign – can overshadow her self-professed “obsession” with love, apparently. It’s not that exploring the way Catherine lived and loved couldn’t be interesting. It’s that

Born in Binghamton, NY, Weisman dropped out of Syracuse University in the early 1960s to design film posters in Rome. He met Federico Fellini and created a poster for “8-1/2” before returning to New York to work with Otto Preminger on “Hurry Sundown”. He also designed the key art for “The Boys in the Band” and many other films.

On “Ciao! Manhattan” he partnered with John Palmer, an alumnus of Andy Warhol’s Factory. He worked as associate director on avant-garde film “The Telephone Book” and created “Shogun Assassin”, edited this particular series, with limited time, bets big on the idea that Catherine and Potemkin’s relationship is enough, and the way it tells that story simply isn’t.

But again: for those wanting to see Mirren sweep through the majestic halls of a Russian palace, imperious and amorous and uncompromising, “Catherine the Great” will deliver the goods. There are worse things than tuning in for that alone, but then again, there are certainly better.

“Catherine the Great” premieres Monday, Oct 21 at 10 pm on HBO.

Also: LOS ANGELES:

It’s no secret that Dame Helen Mirren has a knack for nailing regal roles.

Following her Oscar-winning onscreen reign as Queen Elizabeth II back in 2006, the thespian brings yet another powerful ruler to life in HBO’s limited mini-series “Catherine the Great”.

Just as she does on the small screen as Russian Empress Catherine II, Mirren commanded all attention as she walked into the show’s Los Angeles premiere on Thursday night.

“I felt like I should up the ante if I’m representing the Empress of Russia,” Mirren said with a smile. The billowy look was an homage to the intricate 18th century costuming in the TV series, which Mirren described as “incredible, very heavy, beautiful, all hand-embroidered extraordinary museum pieces.” But the stunning designs did not come without their challenges.

“Your job as an actor is to find the reality, the vulnerability, the attitudes, and the complexities of the human being inside of all of that,” she continued. “But then you do come across people who are almost sort of superhuman, and Catherine was like that. She was extraordinary. (RTRS)

from a series of Japanese samurai movies. (RTRS)

LOS ANGELES:

The series hasn’t even premiered yet, but Disney Plus has handed out a second season renewal for “High School Musical: The Musical: The Series”.

Inspired by the “High School Musical” movies, the series was created and is executive produced by Tim Federle, and stars Olivia Rodrigo, Joshua Bassett, Matt Cornett, Sofia Wylie, Larry Saperstein, Julia Lester, Dara Renee’, Frankie A. Rodriguez, Mark St Cyr and Kate Reinders.

The show is set at East High School, the setting and filming location of the original movies. It introduces members of the drama club and their faculty advisors as they work their way to opening night of their school’s first-ever production of “High School Musical: The Musical”. During the show, show-mances blossom, rivalries flare, and old friendships are tested while new ones are made.

The series is set to premiere upon the streamer’s launch on Nov 12, and Disney says that production on season two will resume early next year in Salt Lake City, Utah.

“We are incredibly excited to bring the next chapter of ‘High School Musical: The Musical: The Series’ to Disney+. Tim and this talented cast have delivered a first season that is uplifting, funny, touching and relatable across generations. We are confident that the world, like us, will want much more of these characters, incredible songs and moments of joy,” said Ricky Strauss, president of content and marketing at Disney Plus. (RTRS)