Survival takes many forms in ‘Poison Garden’

‘The Hollows’ is much more than a murder mystery

By Oline H. Cogdill

Alex Marwood

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(Penguin) Survival takes many forms in “The Poison Garden”, Alex Marwood’s gripping, creepy fourth psychological thriller, this time revolving around the demise of a doomsday cult in North Wales.

Those who lived at the remote Ark commune were willing to put up with its stringent rules, loss of their identity and sexual intimidation because they were kept “safe” from the evils of the outside world. But then the cult’s patriarch, Lucien Blake, ordered a mass suicide with converts taking a cocktail of natural poisons they cultivated on their land.

The only adult survivor of the Ark is 21-yearold Romy, who is viewed by the local authorities first as a suspect and finally as a victim of the Ark. Her transition to the outside world isn’t easy, intensifying her feelings of being a stranger that began when her mother, Somer, brought her to the Ark when she was a child. Not being born at the Ark, Romy was never fully accepted by the other converts. She is even more at odds with the outside world, which she was taught would soon end.

Although she appears to assimilate, Romy has other plans – to hide her pregnancy for fear her baby will be taken away from her, and to find her two half-siblings who are now living with her mother’s sister, the newly divorced Sarah Bryne. Romy has no qualms about what she has to do in order to survive.

“The Poison Garden” smoothly explores

Romy’s life among “the Dead”, as the Ark called those who live in the outside world, and her memories of the commune, why Somer settled there and Sarah’s inability to move past the influence of her deceased controlling parents.

Marwood’s extreme sense of place makes both contemporary Britain and the Ark seem both appealing and appalling sites to live. Both places can easily be considered a poison garden, depending on a person’s perception as Marwood parallels life at the Ark and the stifling, unforgiving home rules by religious fervor in which Sarah and Somer had been raised.

An Edgar winner for her “The Wicked Girls”, Marwood again shows a mastery at creating new worlds. (AP)

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Jess Montgomery

(Minotaur Books)

In the opening of “The Hollows” by Jess Montgomery, sheriff Lily Ross is called out of her home late at night to investigate a mysterious death. The body of an elderly woman – barefoot and in her nightgown – is found battered near the Moonvale Hollow Tunnel – a stretch of railroad track once used by abolitionists to ferry escaping slaves to freedom.

Set in 1926 in the western foothills of the Appalachian Mountains in southeastern Ohio, “The Hollows” is much more than a murder mystery. It weaves racial integration, labor organizing in the Appalachian coal mines, prohibition and women’s rights throughout the narrative, set against an authentic backdrop crafted by Montgomery’s careful attention to historic detail.

The story unfolds through the eyes of two main characters. The first is Lily Ross, a fiercely independent young widow who has assumed the county’s sheriff position left vacant by her husband’s death. Inspired by Maude Collins, Ohio’s first woman sheriff – appointed in 1925 – Lily made her debut in “The Widows” – the first of Montgomery’s Kinship mystery series. “The Hollows” is the second in the series. Lily’s oldest friend, Hildy Cooper, unravels the other half of the narrative. While Lily Ross is confident and determined, Hildy is indecisive and unsure of herself. Even her friends see her as weak and in need of a man to give her life some structure. Yet when Hildy discovers the identity of the victim, she is determined to prove her mettle, risking her life and her sanity to help Lily find the missing pieces of the puzzle. Yet Lily often leaves Hildy out of the equation, seeking the skills of Marvena Whitcomb, a moonshiner and union organizer who also made her debut in “The Widows”. Like Sheriff Ross, Marvena Whitcomb defies convention. She advocates for safe working conditions for coal miners, eschews social mores about marriage and supports racial integration in a county where many are secret KKK supporters. Set just six years after women gained the right to vote, Lily and Marvena are more the exceptions to the rule than the norm. But they are too quick to discount the inner strength of Hildy. Admittedly, the evolution of Hildy’s character may sometimes appear painstakingly slow, but in the end she proves – to herself as much as to others – that she is just as strong as these powerful female role models. (AP)