Arab Times

B’wood mourns its 2 versatile actors

They came from two very different schools of acting

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GURUGRAM, India, May 2, (AP): Two of India’s most beloved movie stars, Irrfan Khan and Rishi Kapoor, died within a day of each other this week, and though they came from two very different worlds and two very different schools of acting, both leave behind a treasure of cinematic work and millions of grieving fans.

This double whammy for India’s Hindi-language film industry, known as Bollywood, comes amid a crippling coronaviru­s lockdown that has brought the entertainm­ent business —along with so much else —to a complete halt.

“It seems we are in the midst of a nightmare,” popular actor Akshay Kumar tweeted.

In normal times, the funerals for two of Bollywood’s most-admired actors would mean tens of thousands of fans gathering to bid them goodbye. Instead, their ceremonies were held in the presence of a handful of family and friends, surrounded by police.

The 54-year-old Khan died Wednesday after battling a rare cancer, while the 67-year-old Kapoor had leukemia and died Thursday.

The career trajectori­es of both actors reflect the changing contours of Bollywood, which in the past traversed two parallel streams of arthouse cinema and commercial films. The growing acceptance and box-office viability of content-driven films over the last two decades gave the two a chance to cross paths and act in movies that were both critically acclaimed and popular.

A trained stage actor, Khan started his career with television and found work in new-age Bollywood, which was experiment­ing with visceral themes reflecting India’s social and political fault lines in the 1990s.

It took years of roles in small films before Khan made it to the Bollywood big leagues. Balancing arthouse movies with popular commercial fare, Khan went on to play a wide array of roles including an intensely tormented lover in “Maqbool,” an adapation of “Macbeth,” and a gentle immigrant in Mira Nair’s “The Namesake.”

Unlike other Bollywood superstars with mega-stylized personas, the versatile Khan brought a rare intelligen­ce and empathy to his characters over his 30-year career.

“He managed to walk off the screen and come home with us,” wrote film critic Shubhra Gupta in the Indian Express newspaper.

Variety

One of the best-known Indian faces in world cinema , Khan crossed over to Hollywood with ease, playing a variety of parts in movies like “Slumdog Millionair­e,” “Life of Pi” and “The Amazing Spider Man.”

The Academy of Motion Picture Arts and Sciences said in a tweet that Khan was an “incredible talent” and “left his imprint on global cinema.”

“Gone too soon. When he is on screen, you can’t take your eyes off of him. He lives on in his films,” tweeted Hollywood filmmaker Ava Duvernay.

Kapoor’s cinematic journey could not have been more different.

Kapoor was a third-generation actor, born with showbiz in his blood.

His grandfathe­r Prithivira­j Kapoor and father Raj Kapoor were legendary actors of their time.

Rishi Kapoor started young, receiving the National Award, India’s preeminent film award, for his role as a child artist in his father’s 1970 film “Mera Naam Joker.”

“Acting was in my blood and there was simply no escaping it,” Kapoor wrote in his 2017 autobiogra­phy.

The runaway success of the teenage romance “Bobby” in 1973 made him a Bollywood heartthrob and a string of romantic, musical blockbuste­rs followed.

The charming lover boy of the 1970s and 1980s went on to become one of the most dependable actors of his time and appeared in some of Bollywood’s most-loved films, including “Amar Akbar Anthony” and “Chandni.”

To be in sync with contempora­ry filmmakers moving away from melodrama and mining plot-driven stories, Kapoor refashione­d his career in later years to play a variety of strong character roles.

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