Arab Times

Brad Bird on choosing his ‘essentials’ for TCM

Re-seeing classics

- By Lindsey Bahr

As the youngest member of his family, Brad Bird would often get dragged along to films that may have been a little out of his depth for a child, like “2001: A Space Odyssey.” But even if he didn’t understand exactly what he was watching, it helped the future director of films like “Ratatouill­e” and “The Incredible­s” form his own aesthetic as a filmmaker.

“It opened my eyes to the cinematic technique, because even when you’re drawing an animated film, you’re drawing camera angles,” Bird said. “And when you become aware of that, you start to see that certain filmmakers are always making great decisions.”

Now Bird is getting to share some of his favorite classic films from childhood and beyond as the curator of Turner Classic Movies’ “The Essentials,” which debuts Saturday at 8 p.m. with “Singin’ in the Rain” and runs for 20 weeks.

Bird spoke to The Associated Press about his choices, an eclectic array of films including epics like “Lawrence of Arabia” (June 6), Stanley Kubrick masterpiec­es, Westerns (“The Searchers,” Aug. 22), Buster Keaton (“The General,” May 16) and Charlie Chaplin (“City Lights,” Aug. 8) fundamenta­ls, and more. Remarks have been edited for clarity and brevity.

AP: Did you have any overriding philosophy for the list?

Bird: It’s films that re-seeing them doesn’t diminish their power. There’s a bullet proof quality to the things that I would call essentials. It’s just like listening to a piece of music. If you listen to anything from The Beatles to Beethoven, hearing them again doesn’t diminish their ability to dazzle you. All these movies are like that for me.

AP: You’ve chosen a few musicals. Is that because you’re working on a musical now? Have you always loved the form?

Bird: It’s funny because I don’t love them in general because I consider most of them really bad. When they are good, which is not very often, they burrow their way into your brain in a way that a lot of other kinds of films do not. The bar is set really high. And the degree of difficulty is also really high, which attracts me as a filmmaker knowing that my chances of succeeding are small. It’s a really enticing thing to try to be one of those great ones.

AP: I appreciate that you included “The Music Man,” (July 4) which doesn’t seem to make many of these lists.

Bird: It’s not on anyone’s list because it’s plain. It’s not artistic the way that “West Side Story” is. But the story is fantastic. And the style of the music, it’s deliberate­ly kind of corny because it’s about Iowa and at the turn of the century and it’s about a conman coming in and dazzling everybody. And then he winds up getting dazzled himself. And every song’s a winner.

AP: Why did you choose “Ace in the Hole” (May 9)?

Bird: I love Billy Wilder, of course, and I reached for “The Apartment” and “Sunset Boulevard,” and then I kind of pulled back and went, wait a minute, I can’t be so obvious. How about if I take one that that I’ll bet a lot of people haven’t seen? And “Ace in the Hole” came to mind. It’s a really nasty movie about opportunis­tic journalism.

AP: You have both “The Red Shoes” (May 30) and “A Matter of Life and Death” (June 20). Are you a big Michael Powell and Emeric Pressburge­r fan?

Bird: Those are ones that I didn’t really get to until I was well into film. Once I was channel surfing and it was like 2 in the morning. I wasn’t married and didn’t have kids or anything. I say “I’ll just glance at what’s on before I go to bed.” And I bumped into the opening of “A Matter of Life and Death.” I got hooked. I was wanting to go to bed! The movie kind of overwhelme­d whatever I wanted and demanded that I stay until the end. It’s a wonderful film and they’re fantastic filmmakers and people don’t talk about them enough.

AP: How do you recommend people watch these films on the small screen?

Bird: Unplug the phone, turn down the lights and turn up the sound and then make sure all the other business is taken care of. Sit down and make an appointmen­t with it.

Also:

NEW YORK: Americans stuck at home staring at fading furniture and wondering what to cook for dinner have been a boon for television networks like HGTV and the Food Network.

The Food Network’s overall ratings in April were up 25 percent over the same month last year, while HGTV was up 22 percent, the Nielsen company said.

Both networks have adjusted programmin­g in reaction to coronaviru­s shutdowns with more in the works. The Food Network’s Guy Fieri has gotten takeout at some of his favorite dives, and other chefs are exploring how to be creative with what’s in the pantry.

HGTV is planning a show where new products are left on the doorway of people and design experts will judge how the family made use of them, said Kathleen Finch, chief lifestyle brand officer for the Discovery-owned networks.

“People are gravitatin­g to our networks and talent because we provide more than entertainm­ent right now,” Finch said.

Stuck-at-home show hosts are also making use of camera equipment lent by their networks. Comic Amy Schumer is making a program that debuts Monday for the Food Network, “Amy Schumer Learns to Cook,” that is being filmed by her nanny, Finch said.

HGTV hit paydirt this month with shows that featured Brad Pitt, Melissa McCarthy and other celebritie­s improving the living situations for people they know. The network is planning a show that will feature comics sitting around and commenting on episodes of “Househunte­rs,” Finch said.

Four Discovery-owned networks - TLC, HGTV, Discovery and the Food Network - were among the 10 most popular cable networks in prime time last week, Nielsen said.

While HGTV and the Food Network are popular primarily because of the environmen­t they offer, TLC is being fueled by a single hit show: “90 Day Fiance,” which films couples as they decide quickly whether or not to get hitched to qualify for a marital visa. Primarily because of that show, TLC’s primetime ratings in April jumped 47 percent from last year, Nielsen said.

Later this month, TLC is premiering a dating show, “Find Love Live,” that depicts courtship in the quarantine era, Finch said. (AP)

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Brad Bird

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