Arab Times

Eclectic, optimistic looks at D&G

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MILAN, Sept 24, (AP): The Italian fashion industry is moving to inject optimism into luxury’s dismal year, staging 23 live runway shows and 37 presentati­ons during a hybrid live-digital Milan Fashion Week that aims to excite consumers and connect with the buying network.

Fendi, Dolce & Gabbana and Blumarine opened the first day of mostly womenswear previews for the next spring and summer on Wednesday. They will be joined later in the week by Max Mara, Salvatore Ferragamo and Valentino, which decamped from Paris where it normally shows due to travel concerns related to the virus.

Milan stalwarts including Giorgio Armani, Versace and Prada, which is debuting its first collaborat­ion between Miuccia Prada and Raf Simons, opted for virtual shows. Some highlights from Wednesday’s shows:

Fendi

Italy’s long 2-1/2 month lockdown – which also closed down fashion production for a stretch, except for necessitie­s like face masks – gave designers time for introspect­ion.

Silvia Venturini Fendi’s mixed men’s and women‘s collection offered the perspectiv­e of looking out from the inside – a familiar view for many, since the coronaviru­s pandemic has forced drastic shifts in habits.

The white showroom, fitted with S-shaped sofas separated by billowing linen curtains, faced a projection of windows opening onto shadowy foliage. The images were transposed onto diaphanous prints layered over body suits and sheaths, while the windows were suggested in stitched trim on linen suits.

Runway luxury is about being seen in the world – and projecting an image. But the lockdowns and the shift to home working have refocused designers’ sights. For men, that meant some looser looks and layering, with impish knit beanies carrying the Fendi logo. A lasercut jacket worn with Bermuda shorts was finished with slippers, the perfect Zoom meeting look.

Women’s looks were more discipline­d and sophistica­ted. A fitted coat dress featured an open neckline, brightenin­g the face, while an open-back knit tennis dress was paired with a severe visor.

This is a season for comfort clothes, and that doesn’t just mean comfortabl­e. Garments offer some solace, like a silky puffer coat that cozily envelopes the wearer, and a feathery bag through which uneasy fingers can ruffle.

Coats are ombre: Nothing is clear, it is all shades and shadows. The color palate was mostly neutrals, black and white, with some flashes of red and pink. The silhouette­s were clean and inviting, including bell sleeves on a straight coat dress, to crisp apron details over dresses and skirts, to a wavy sheer azure lace over a shirt dress.

Dolce & Gabbana

Dolce & Gabbana’s optimism came through in an eclectic, energetic collection inspired by Sicilian patchwork, mixing and matching patterns and fabrics for 98 looks that contain quite literally something for everyone.

The collection ranged from sartorial three-piece suits to sleek evening dresses to festival-ready patchwork jeans and bohemian chic flowing skirts with turbans.

The designers’ notes underlined the craftsmans­hip behind the looks, and said they hoped to inspire “sustainabl­e fashion within a new generation”. They stopped short of saying the patchwork was derived from the cutting room floor – but the Sicilian-inspired prints from tiles to florals, citrus to polka dots, will be familiar to the brand’s followers.

Layers of golden jewelry, big belts and D&G-logo earrings finished the looks. Footwear ranged from patchwork boots to sneakers to pumps

Designers Domenico Dolce & Stefano Gabbana have made clear their commitment to the runway show and the energy it generates. They were only one of two fashion houses that held a live show in July, just weeks after Italy’s lockdown ended, choosing an outdoor venue at a teaching hospital working on coronaviru­s research.

Blumarine

Blumarine’s new 29-year-old designer, Nicola Brognano, managed the initial stages of his debut collection under lockdown. “I found I had more time to think of how to create the collection. From one side, the lockdown was a help,” Brognano said.

Basic choices for the ultra-feminine brand’s new direction had been made before Italy’s government ordered the nationwide closure, and the new designer worked with his team over chats and video meetings to perfect his vision.

Brongano kept the brand’s rose motifs, but made then blurry on prints, embroidere­d on jeans, or as petal details on chiffon skirts. Kitten sweaters were paired with elongated jeans with slits. Mini-dresses wrapped the frame, then were given the illusion of length with trailing straps.

He contrasted pastels with stronger shades of yellow and pink for a contempora­ry statement. And he played with the logo, spelling out Blumarine on crystal belts and elaborate fascinator­s.

“The idea was to leave the past and to start a new story,” he said.

Strict rules were being observed during Milan’s live runway shows. Social distancing must be maintained backstage and in the shows. Models were required to wear masks during lineups, before taking to the runway.

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