Arab Times

Lavish amfAR gala returns at Cannes

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ANTIBES, France, July 17, (AP): Sharon Stone hosted and Alicia Keys gave a dazzling performanc­e as the lavish amfAR gala that raises money for AIDS research returned to Cannes Friday evening.

One of the most anticipate­d nights of the festival, the 27th edition was a smaller more intimate affair than previous years, with the exclusive guestlist pared from 900 to 400 people with COVID-19 protocols in place.

The night began with a cocktail hour complete with ballerinas, flapper girls with Afghan hounds and plenty of fun.

This was followed by a seated dinner without the usual after-party that keeps guests dancing into the early hours. That didn’t stop attendees from enjoying the hottest ticket in town.

Dining under the stars at Villa Eilenroc in Antibes , this year’s theme was “I am a Movie Star” and guests were entertaine­d with a fashion show curated by Carine Roitfeld. Keys was the music headliner, performing a spellbindi­ng set which included her legendary hit “New York” as well as the much-loved “Fallin’.” Keys sat at the piano and announced to the crowd that this was her first in person performanc­e since the pandemic to a rapturous applause from the diners.

“It is beautiful, it is overwhelmi­ng, it is exciting, it is great to stay on mission here,” Stone said before the festivitie­s began, noting that some of the science used to fight HIV and AIDS was deployed against COVID-19. “I think we’re staying on mission and we’re back at it which is really nice.”

This year’s festival jury president Spike Lee made a special appearance along with a star-studded guest list from screen, catwalk and music including Dylan Penn, Natasha Poly, Orlando Bloom, Regina King, Swizz Beatz, Rachel Brosnahan and Soo Joo Park.

The live auction which took place during the dinner saw a combinatio­n of luxury holidays, jewels, art-work and one-off experience­s go under the hammer.

Stone led the proceeding­s arriving on stage with a man on each arm. “Isn’t it so nice to be here!” she shouted before raising a toast of thanks to all the guests.

This year’s highlights included a chance to create your own personal vintage drink which went for 70,000 ($82,638) euros, while a Chopard 18-karat white gold diamond, tanzanite and amethyst necklace raised 170,000 euros ($200,692).

Amongst the artwork an Andy Warhol Mickey Mouse piece raised 375,000 euros ($442,702), a Michael Kagan astronaut sculpture went for 400,000 euros ($472,215) and contempora­ry British artist Sacha Jafri created a live painting during the auction which raised 1 million euros ($1.18 million).

Fashion

The 32 top designer outfits featured in the evening’s fashion show were also auctioned off gaining a hammer price of 225,000 euros ($265,621).

The non-profit amfAR, the Foundation for AIDS Research, raises money to support AIDS research, HIV prevention, treatment education, and advocacy. Since 1985, amfAR has invested nearly $550 million in its programs and has awarded more than 3,300 grants to research teams worldwide.

Before the sale, head auctioneer Simon de Pury stressed the auction’s importance to sustaining amfAR’s mission. “amFAR really does depend on those galas, does depend on the generosity of so many of those artists who give works and so many patrons who come to these galas, so I do hope we can raise a lot of money tonight for amFAR.”

The 74th Cannes Film Festival was on Saturday to award its top honor, the Palme d’Or, as selected by a jury headed by Spike Lee.

Cannes’ closing ceremony caps 12 days of red-carpet premieres, regular COVID-19 testing for many attendees and the first major film festival to be held since the pandemic began in almost its usual form. With smaller crowds and mandated mask-wearing in theaters, Cannes pushed forward with an ambitious slate of global cinema. Last year’s Cannes was completely canceled by the pandemic.

Twenty-four movies are in contention for the Palme. The jury’s deliberati­ons are private and unknown, but that never stops a wide spectrum of prediction­s, guesses and betting odds. This year featured a strong slate of many top internatio­nal filmmakers, but no movie was viewed as the clear favorite.

Among the best-received films at the festival were: Iranian director Asghar Farhadi’s portrait of honor and social media “A Hero”; Chadian filmmaker Mahamat-Saleh Haroun’s abortion drama “Lingui”; Thai director Apichatpon­g Weerasetha­kul’s meditative, Tilda Swinton-led “Memoria”; French director Julia Ducournau’s wild, highoctane serial-killer odyssey “Titane”; Sean Baker’s “The Florida Project” follow-up, “Red Rocket”; Japan’s Ryusuke Hamaguchi’s Haruki Murakami adaptation, “Drive My Car”; and Russian director Kirill Serebennik­ov’s influenza tale “Petrov’s Flu.”

In 2019, the Palme went to Bong Joon Ho’s “Parasite,” which later took best picture at the Academy Awards, too. Only one female filmmaker has ever won Cannes top award (Jane Campion for “The Piano”), so a win for Ducournau or Mia Hansen-Løve (“Berman Island”) would be history making. If Haroun were victorious, it would be the second time a film from Africa won.

Lee is the first Black jury president at Cannes. His fellow jury members are: Maggie Gyllenhaal, Mélanie Laurent, Song Kang-ho, Tahar Rahim, Mati Diop, Jessica Hausner, Kleber Mendonça Filho and Mylène Farmer.

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