Kuwait Times

Tomatito delights Abu Dhabi Festival audience with passionate debut performanc­e while NCPA dazzle them

- By Sahar Moussa

The 14th Abu Dhabi Festival once again secured its place as the Arabian Gulf's largest cultural event. It has establishe­d partnershi­ps with some of the world's most influentia­l cultural institutio­ns including the Institute du Monde Arabe, Institut Francais, Edinburgh Internatio­nal Festival, Royal Opera House and Carnegie Hall through the years. Launched in 2004, it continues to attract the highest caliber of artists to the UAE capital every year.

The Abu Dhabi Festival actively supports emerging Emirati talent and advocates the importance of arts and culture in all aspects of life in the UAE. Under the patronage of Sheikh Nahayan Mabarak Al-Nahyan, UAE Minister of Culture and Knowledge Developmen­t and organized by the Abu Dhabi Music & Arts Foundation (ADMAF) the festival is surely the UAE's leading celebratio­n of arts and culture. No doubt that Abu Dhabi Festival's message is to connect people with different cultures, background­s and ages through music, art and theatre. Presenting the creativity of over 160 Emirati and 200 internatio­nal artists, the festival was able to unite, empower and inspire humanity through cross-cultural understand­ing.

This year Abu Dhabi Festival presented as part of its program one of the most sought after guitar players in the world, five-time GRAMMY award-winner Tomatito that was able to astound the audience with a thrilling display of innovative 'nouveau flamenco' in the Red Theater, The Arts Center at NYU Abu Dhabi. Fusing the traditiona­l Spanish form with jazz, gypsy, Brazilian and Turkish influences, the evening, entitled 'Tomatito - Soy Flamenco' saw the internatio­nally acclaimed guitarist enthrall the audience with a passionate performanc­e that blended Spanish flamenco dance, song, guitar and percussion.

With his exhilarati­ng technique and commanding presence, Tomatito took the audience on an emotional and rousing journey through the bold and expressive world of Spanish guitar. Accompanie­d by El Torombo (a powerful figure in the Flamenco dance tradition) and an ensemble of masterful musicians, it was easy to see from the expressive performanc­e why Tomatito was recently bestowed the prestigiou­s Gold Medal for the Arts by King Felipe VI of Spain. Adding to an already impressive list of past appearance­s, his Abu Dhabi Festival concert joins performanc­es at world-famous venues such as the Palais des Beaux-Arts in Brussels and London's Royal Albert Hall.

The Embassy of Spain to the UAE, Ambassador JosÈ Eugenio Salarich said, "Tomatito is perhaps the greatest representa­tion of Spanish Flamenco today. Born into a family of great flamenco musicians, since a young age JosÈ Fern'ndez Torres witnessed the art of his father and grandfathe­r, both nicknamed 'Tomate'. It is indeed an honor and a privilege to have the opportunit­y to enjoy the essence of his sublime and passionate qualities in Abu Dhabi thanks to the vision and generosity of ADMAF."

A master of the passionate Spanish art form, Tomatito's extraordin­ary talent has included collaborat­ions with musical legends such as Elton John, Mohamed Rouicha and Omar Faruk. The Spanish artist has been a pivotal player in the evolution of flamenco guitar, having started his career mentored by the father of Flameco guitar Paco de Luc'a and accompanyi­ng the famed flamenco singer Camar'n de la Isla. He has since made several collaborat­ive albums and six solo albums, two of which have won Latin GRAMMY Awards.

China's National Centre For The Performing Arts

In their Arab world debut, China's National Centre For The Performing Arts (NCPA) Orchestra dazzled audiences as part of their two consecutiv­e performanc­es in the majestic Emirates Palace auditorium. The first evening's repertoire included Tchaikovsk­y's Slavonic March, Rachmanino­v's Piano Concerto No.2 performed to perfection by pianist Haochen Zhang and Dvor'k "New World" Symphony No.9 in E Minor. Tonight's performanc­e will feature emotive pieces such as Bach's Chaconne in D Minor, The Butterfly Lovers Violin Concerto by He Zhanhao & Chen Gang effortless­ly performed by violinist Lu? Siqing and Prokofiev's Romeo and Juliet Suite.

Recognized as one of the finest orchestras in Asia, China's NCPA Orchestra moved the audiences with powerful performanc­es conducted under the baton of Maestro Yi Zhang whose dynamic personalit­y and panache shone through during the invigorati­ng evening. Yi Zhang has been named as one of the most influentia­l young conductors in China having conducted hundreds of concerts, operas and ballets throughout his career. Over the past two decades, he has collaborat­ed with many orchestras both at home in China and abroad including: the China National Symphony Orchestra, London Philharmon­ic Orchestra, Malaysian Philharmon­ic Orchestra, the Saarbrucke­n Radio Symphony Orchestra, Orchestre Colonne, Paris and the W¸rttemberg Chamber Orchestra.

Irrefutabl­y bringing the NCPA's guiding principle to life, 'For The People, For Art And For The World', the orchestra's first performanc­e in the Middle East is demonstrat­ive of the world-class internatio­nal talent that the Abu Dhabi Festival attracts. Establishe­d in 2010, China's NCPA Orchestra has consistent­ly presented creative and diverse programs during its history. Gaining critical acclaim, their performanc­e of the mammoth 'Ring Without Words' with its creator Lorin Maazel was the only recording the great maestro ever made with a Chinese orchestra.

China's NCPA Orchestra has received widespread internatio­nal praise for its performanc­es across the globe. Having played at world-famous venues across Europe, the US and Asia, the Abu Dhabi Festival represents the latest in a long line of prestigiou­s venues for the Asian orchestra that include the Kissingen Summer Music Festival and the Schleswig-Holstein Musik Festival and concerts across Germany, as well as in Australia, Singapore, Seoul, Daegu, Taipei and Macau. During the 2014/15 season, the orchestra undertook its first North American tour, where it performed in seven major cities in the US and Canada, under the baton of L¸ Jia.

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