Harper’s Bazaar (Malaysia)

AMAZING GRACE

This season, designers pay tribute to the enigmatic glamour of Grace Kelly. By Justine Picardie.

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hat comes to mind when you think nk of Grace Kelly? elly? Is it the sensual sophistica­tion cation that defines her starring roles in Hitchcock’s hcock’s Rear Window and To Catch A Thief, ief or the more static elegance of her r persona as princess and consort to Rainier III, Prince of Monaco? Do you see her as a triumph or tragedy; an emblem of feminine perfection or of surrendere­d independen­ce? For Hitchcock, she was “a snowcovere­d volcano”; to John Ford, her director in Mogambo, a “dame [with] breeding, quality, class”.

Whatever one’s view, it is likely to be inconclusi­ve, for Kelly was a film star as elusive and enigmatic as Greta Garbo; a cipher who slips from our grasp, however hard we may y seek to capture her.

All of which is worth bearing in mind this season, as fashion – and Hollywood, too – turns again towards wards Kelly for inspiratio­n. While Nicole Kidman is filming a biopic that examines amines the confines of her life as a princess (a a version of events disputed by the current generation neration of Monaco royals), Kelly’s cinematic ic ghost is perceptibl­e in the latest collection­s ns from Prada, Bottega Veneta, Lanvin, and d others. The Prada show, in particular, seemed emed to evoke Kelly as Hitchcock heroine, with an atmospheri­c projection as the backdrop to the catwalk, featuring swirling flocks of birds, a black cat, and the dark shadow of a woman silhouette­d in a doorway.

If Miuccia Prada suggested the possibilit­ies of fashion as a cinematic narrative (“Stories of women and life,” she said), Raf Simons took Dior’s Cruise collection to Monaco in May, and staged an equally dramatic show. As a location, it was a considered reminder of Christian Dior’s historic connection with Princess Grace, the consummate model for the house’s supremely poised couture. But Simons avoided the trap of costume drama by adding a modern fluidity of movement to Dior’s legacy of refined, controlled tailoring.

Could this sartorial balancing act between freedom and constraint provide a clue as to why Kelly continues to grip our imaginatio­ns? Perhaps in contemplat­ing her radiance that still shines on-screen, 31 years after her untimely death in a car crash (on the very same corniche on which Hitchcock had filmed Kelly in To Catch A Thief), one cannot help but ask what lies beneath the surface of such exceptiona­l beauty. Desire, yearning, fragility, frustratio­n – the turbulent heart of a woman at odds with the cool veneer of a star ...

 ??  ?? Bottega Veneta Autumn/ Winter ’13 Lanvin Autumn/ Winter ’13 Prada Autumn/ Winter ’13
Bottega Veneta Autumn/ Winter ’13 Lanvin Autumn/ Winter ’13 Prada Autumn/ Winter ’13
 ??  ?? Grace Kelly in Rear Window
Grace Kelly in Rear Window
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