Harper’s Bazaar (Malaysia)

FINALIST : A G N E S L OW

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Coming from a graphic design background, Agnes Low, 24, was the only designer in the competitio­n who laboured to create her own prints for her collection. The Lim Kok Wing University graduate worked with a sports-inspired silhouette, light-as-air fabrics, and a monochrome palette to give her clothes a sense of newness and edge. She believes in a subtler aesthetic that will endure beyond seasons and trends. You created your own prints for this collection. Can you describe your techniques? The two main techniques I used were silkscreen and sponge dye. For the silkscreen, I wanted the pattern to feel mechanical and modern but applied using the traditiona­l way. Sponge dye was used to lend a more artistic feel to the clothes. Your day job is in graphic design. Do you think that gives you an advantage? Every time you step into a different field, it widens your perspectiv­e. You’ll start looking at things from different angles and you open yourself to new ideas. Why was your collection inspired by the passing of time? I find the idea of time flying by, inescapabl­e by anyone regardless how rich or powerful they are, very interestin­g. And how did you translate such an abstract idea into your clothes? I used the movement and turning of gears to represent the passing time, so I made that into prints. I also used sponge-dying and ombre effects to make the clothes look faded, as though they’ve aged and a long time has passed. What do you think sets your work apart? My silhouette­s are clean and simple, but they are not boring. The main selling point is print; it is minimal but detail-oriented. For me, fashion doesn’t always need to be about wild and crazy ideas. Who do you see wearing your clothes? I don’t design for any specific group. Even men can wear my clothes because a lot of them are unisex. I believe in making timeless, basic pieces that will flatter many people. Having said that, I do design clothes that I would wear.

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