Harper’s Bazaar (Malaysia)

A DASH OF BLUE

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Best known for her Azulejão or “big tile” paintings created from her fascinatio­n with Brazil, Adriana Varejão is closing the gap between paintings and sculptures. Drawing inspiratio­n from Brazil’s brutal colonial history, Baroque art, and architectu­ral ruins, Varejão capitalise­s on aesthetics that deal with contrasts, and often pours her heart out into an azulejo, a terracotta tile brought to Brazil by Portugese colonists. After being commission­ed by the Rio 2016 Olympics to produce a temporary mural based on an older piece, Celacanto Provoca Maremoto, 2004-2008, Varejão’s project with the Gagosian Gallery, ‘Azulejão’, features her largest single tile paintings to date. Of course, her works are never what it seems. Take a close look in person to discover elements of history, culture, and landscape—all invocated within her azulejo art pieces. Until December 10 at Gagosian Gallery, Rome, Italy. www.gagosian.com

 ??  ?? Varejão applying the final touches
Varejão applying the final touches
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 ??  ?? Azulejão (Hand and Curves), 2016, Adriana Varejão
Azulejão (Hand and Curves), 2016, Adriana Varejão
 ??  ?? Tea and Tiles II, 1997, Adriana Varejão
Tea and Tiles II, 1997, Adriana Varejão

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