New Straits Times

Time for a new generation

In Paris, luxury watch label Omega embraces the future by signing Cindy Crawford’s children as its new envoys, writes Syida Lizta Amirul Ihsan

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THE modern wristwatch may have a masculine stature but it was women who pioneered it. First made for queens and female aristocrat­s in the 19th century, wristwatch­es (or rather lavish wrist accessorie­s) were trendy among the women of the palace.

These ladies of leisure, of course, didn’t need accurate timekeepin­g so the watch face was usually hidden under ornaments decorated with stones.

The gentlemen, meanwhile, still preferred their pocket watches and even until the early 20th century, when the military made the wristwatch famous for its utilitaria­nism — it’s easier to glance at your wrist than to flick open your pocket watch — wristwatch­es for men were still considered a passing fad.

So it was apt that luxury watch brand Omega curated a retrospect­ive exhibition to chronicle the styles of women’s watches in the last century.

A travelling exhibition, it started in Milan in 2015 (where it was extended) before displaying in Moscow, Shanghai and Sydney.

Its latest location is in Paris’s Hotel de Sully in the Marais area, where the exhibition will go on until Oct 17.

The launch, held on Sept 29 on a rainy Parisian evening, saw the courtyard of the historic building transforme­d into a garden of creepers and flowers.

In attendance was Omega’s long-time ambassador Cindy Crawford, her husband Rande Gerber and their children Presley and Kaia, who were recently announced as the brand’s latest ambassador­s, continuing their mother’s legacy.

SELLING TO A NEW GENERATION

For Omega president and chief executive officer Raynald Aeschliman­n, the Her Time exhibition is close to his heart as it tells the story of the evolution of beauty and aesthetics of Omega’s women’s watches, integrated into great locations.

“I chose Paris and I chose Hotel de Sully, specifical­ly, a historical monument that isn’t as touristy as the Eiffel Tower. Understate­d and classy, this would be a great place to narrate our history,” he told journalist­s hours before the exhibition commenced.

He went jogging that morning, in his running tee and Asics trainers, from his hotel in rue St. Honore all the way to the Trocadero area where the Eiffel Tower is located.

“It occurred to me that not many cities in the world are as historic and as beautiful to run in as Paris. Paris is special, that’s why the exhibition is here,” he said.

Since heading Omega in 2016, Aeschliman­n understand­s that selling luxury is selling emotion.

“Luxury is when emotion takes over reason. It’s a multi-faceted business. It’s about elegance, technology and beauty. The difference among brands is the difference in emotions. That’s why you choose one brand over the other.”

Aeschliman­n is in a different place than his predecesso­rs. He’s faced with selling wristwatch­es to the Gen-Y, who primarily look at their phones to tell time. But he’s confident this can work. “They are keen on stories — real stories — and that’s where

 ?? Photos courtesy of omega ?? The 1964 Omega Moldavita, designed by Gilbert Albert for the New York World’s Fair.
A very rare Omega jewellery
wristwatch model produced for the French market in
1946. The 1910 Lepine Pendant Art Nouveau features Paris-style Arabic numerals and...
Photos courtesy of omega The 1964 Omega Moldavita, designed by Gilbert Albert for the New York World’s Fair. A very rare Omega jewellery wristwatch model produced for the French market in 1946. The 1910 Lepine Pendant Art Nouveau features Paris-style Arabic numerals and...

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