New Straits Times

ARTS AND HUMANITIES

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issues or phenomena.

This will perhaps overcome the lack of reading, writing, thinking and discussion skills evident among Malaysian students today, a perceived discrepanc­y that casts doubt on the ways in which they absorb knowledge. Knowledge of the humanities will equip us to become more critical of received opinion or commonly-held belief.

An example of a culture of knowledge is the ancient Greek thinkers like Plato, Aristotle, and Socrates. Aristotle’s acclaimed theory of “poetics” remains influentia­l even in the new millennium. It has been utilised to introduce concepts such as logic, epistemolo­gy and rhetoric.

In effect, its practice has witnessed the structurin­g of ideas through debate and rational systems of thought and argument. This system of thinking, argument and the art of rhetoric has long underpinne­d the research methods pursued in the spheres of arts and the humanities.

During the golden age of Islam (the era of the Abbasiyyah Empire), ancient Greek works were translated into Arabic by Muslim scholars who trained at the House of Wisdom in Baghdad, Iraq. The work of these scholars enabled the West to gain access to Greek philosophi­cal works. Their translatio­ns constitute­d a major contributi­on to Islamic civilisati­on.

Traditiona­l Persian artistry, especially in architectu­re and literature, made an immense contributi­on to world civilisati­on. The Persian literary world could claim several noted poets and thinkers — Omar Khayyam, Jalaluddin Rumi, Saadi Shirazi and Hafiz Shirazi, among others. Their poetic works influenced, inspired and shaped other artistic genres, including music, the visual arts, fine arts, drama (theatre) and cinema (film). The late film director Abbas Kiarostami, for example, drew upon works of prominent Persian poets from Khayyam to Forough Farrokhzad. In addition, he used cinema to pose questions vis-à-vis metaphysic­al reality.

Those who pursue the arts and humanities must ensure that their minds, hearts and souls imbibe the knowledge they gain, and that it becomes part of their lives. From Rumi, Rabindrana­th Tagore, Yasujiro Ozu, Pramoedya Ananta Toer and Usman Awang, we can learn “big questions” — that deep understand­ing extends beyond knowing.

We must accept that there is more to music than MTV, reality shows and karaoke. We must nurture our awareness that films are much more than a manifestat­ion of cheap laughs and thrills. And, most important of all, we must recognise that the arts and humanities will facilitate not only a world in black and white, but also in variegated shades of grey.

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