BETHEREOR BE SQUARE

THE movie’s title refers on a micro level to a new public installation at a contemporary art museum which curator Christian (the handsome 1.93 metretall Claes Bang) has just acquired.

The square, to cut through the jargonistic description on the museum’s brochure, is basically to remind people oftheir humanity and all the good things associated with it, such as trust and altruisim.

It’s an interesting concept and a ticklish one too. While it’s a tongue-in-cheek look at nouveau art, on the macro level, the movie offers a peek at the things we modern people do to get publicity — how we look at issues today and handle them and our clouded perceptions to class and title.

These are some of the threads of consciousness that run through this satirical movie.

To sell the idea ofThe to the poor public, the museum has a team of typical marketers and creative directors who want to make their marketing tool viral, like the Ice Bucket challenge, forgetting that the latter raised tonnes of money for ALS (amyotrophic lateral sclerosis), better known as Lou Gehrig’s disease.

But Christian can’t give the marketing campaign his full attention because he is a victim of a street theft, losing his wallet and phone. That scene was so staged that it felt like art!

So Christian is busy trying to get back his stuff, with the help ofhis museum minion.

On top ofall that, being divorced, he has to take care ofhis two pre-teen daughters.

But soon, the electric car-driving Christian is faced with his own cultural and sexist judgments.

For one, he finds the tracker ofhis stolen phone stays in one particular building, known for housing a poorer segment of society. So he and his minion come up with the idea ofputting a note — demanding back his stolen belongings — on each and every door in that building.

His Loki act results in the return of his stolen stuff, but also “chaos” as promised by a boy whose parents now think he is a thief.

Finally, Christian has to pay the price for his narcissistic and thoughtless actions.

With his performance in this Cannes 2017 Palme d’Or winning movie, the bufflooking Bang is set to join the company of Mads Mikkelsen (Danish actor known best for the television series and Christoph Waltz (German actor known after

in Hollywood.

Ruben Ostlund Starring Claes Bang, Elisabeth Moss, Dominic West

145 Minutes

18

Bang gives a believable, credible portrayal of a well-to-do guy, ensconced in a world of political correctness and where the elite rules, sinking to incredibly stupid levels.

A lovable, fallible and yes, sexy character.

There are indelible scenes in this movie, starting with the museum’s black-tie fundraiser. Where others have celebrities and artistes, this movie offers the ultimate — a performance artist with a current exhibition at the museum, putting on quite a showstopper!

Kudos to Terry Notary, a stuntman and choreographer who plays one of the simians in the franchise.

Another scene is when the suave Christian spends the night with a vacuous American reporter (Elisabeth Moss), and is nonplussed to see a chimpanzee in the room that night. As are we!

Swedish director Ruben Ostlund, who gave cinema in 2014, has an inbuilt wicked sense ofhumour to be able to sustain more than two hours of comedic dialogue. And, be warned, it’s all in the lines, subtitles included.

is definitely an art house cinematic offering, with the pun on art, and on society today.

A question you may ask as you leave the cinema hall is, “are we in ‘The Square’ of our own?” And do you practise what you preach?

I find it a thoroughly enjoyable movie, but its appeal may be terribly limited for local cinema tastes.