A long way to go for women at Cannes fest
CANNES:
The last major prize winner was Italian director Alice Rohrwacher, who took home the Grand Prix for The Wonders in 2014. She’s back in the running this year with Happy as Lazzaro.
Women have made up barely 3.5 per cent of the best director and best screenplay winners over the past seven decades.
Only four of the 111 winners have been female — and two of them were last year when Sofia Coppola became only the second woman to secure the best director trophy with her American Civil War drama The Beguiled.
Meanwhile, Briton Lynne Ramsay’s A Beautiful Day scored best screenplay.
If only one woman has won the Palme d’Or it is also because very few of them ever get nominated.
Since 1946, only 84 of the 1,790 directors whose films have been shown in competition at Cannes have been women — in other words, less than one in 20.
The latest edition doesn’t buck the trend, with just three female directors among the 21 main competition contenders.
This is still better than the 2010 and 2012 festival editions, which featured all-male lineups.
While Cannes organisers acknowledge the gender inequality, they insist this merely reflects the underrepresentation of women directors in the cinema industry as a whole.
Australian actress Cate Blanchett heads this year’s starry majority-female jury, which also includes Kristen Stewart and Lea Seydoux.
While Blanchett is the 12th chairwoman in the festival’s 71year history, only one woman director, Jane Campion in 2014, has had the honour.
She has said that Cannes needs to have an all-female jury one day to counter the decades of male domination.
Apart from the president, the jury is composed of four women and four men – a parity ratio observed since 2013.
Overall women fare slightly better as judges at Cannes, although it is still relative. One in five jury members have been women in its seven-decade history.