A FEMINIST HERO FOR OUR TIMES
IRON Man, Thor, Captain America: scores of Marvel movies had superheroes taking turns to save the world on the big screen before a woman finally captured a leading role in the comic franchise’s films.
But Captain Marvel, which hits screens this week, is making up for lost time, firing girl power on all cylinders.
There are women masterfully piloting war planes, at the front lines of important scientific experiments, and of course, there’s Carol Danvers, Brie Larson’s mighty Captain Marvel.
Larson, who won an Oscar in 2016 for her role in Room, has until now been best known for her work on independent movies and her outspoken feminism.
To play Danvers, Larson spent nine months in rigorous training.
“I was able to push myself further than I ever thought possible,” Larson said at the movie’s premiere on Monday.
An Air Force fighter pilot who is trained to be a member of the alien Kree warriors, Danvers lands in the middle of an intergalactic war with the Skrulls.
To carry out her mission, she teams up with Agent Nick Fury (Samuel L. Jackson), a recurring Marvel character who makes his first contact with planet Earth in the movie, and with her four legged sidekick, Goose the Cat.
Of the decision to set the story more than 20 years in the past, Marvel Studios director Kevin Feige said at the film’s premiere: “We wanted Carol to have her origin all to herself.”
She can fly. She can shoot cosmic rays. She can absorb energy.
But she is strong in other ways too, and tough enough to hold her own in a universe that doesn’t always value women — driving home the feminist message of the movie, co-directed by Anna Boden and Ryan Fleck, which says women have nothing to prove to men.
Feige told Entertainment Weekly there “are a lot of reasons” this movie was not made before now.
“Not the least of which was fighting for many years the erroneous notion that audiences did not want to see a female-led hero (film) because of a slew of films 15 years ago that didn’t work,” he said. “And my belief was always that they didn’t work not because they were femaleled stories. They didn’t work because they were not particularly good movies.”
Of the few female-led superhero movies, many were box office flops, like Jennifer Garner’s Elektra in 2005 and Halle Berry’s Catwoman in 2004.
As a result, Marvel spent more than a decade relegating female characters to secondary parts, such as Avengers’ Black Widow, played by Scarlett Johansson.
Seeking to be more representative, Marvel finally responded to demands for more strong female characters on the silver screen, further spurred by the #MeToo movement.
Telling Captain Marvel’s story was also a way to compete with DC Comics, whose superhero hit Wonder Woman, directed by Patty Jenkins, premiered in 2017 and raked in more than US$800 million (RM3.2 billion) worldwide.
Its sequel, Wonder Woman 1984, is due out next year.
“Obviously, I was elated to feel times changing a little and women being more accepted below the line, but I think there is still a lot of work to be done with that,” said Debbie Berman, the editor of Captain Marvel. “I think the noise doesn’t necessarily match the action right now, but it starts with the noise, so we’ll take it.”
Marvel got a critical and financial boost from last year’s Black Panther, the first film to focus on a black superhero. The film won three Oscars and has become a pop culture phenomenon.
With Captain Marvel, the studio serves up the special effects pyrotechnics typical of the genre, but also a validating message for female audiences.