New Straits Times

From polka dots to pumpkins (and more)

Step inside artist Yayoi Kusama’s mind-bending universe as the National Gallery of Victoria, Melbourne, presents a retrospect­ive showcase that’s as vibrant as it is visionary, writes Intan Maizura Ahmad Kamal

- intanm@nst.com.my

IN a whirlwind of polka dots and pumpkins, the National Gallery of Victoria (NGV) will be heralding the arrival of a momentous event: the world-premiere blockbuste­r exhibition of iconic contempora­ry artist Yayoi Kusama.

From December this year to April the next, art enthusiast­s and novices alike are invited to delve into the mesmerisin­g universe of Kusama’s artistry, spanning eight decades of her illustriou­s career.

Glimpse into Kusama’s World: The Early Years and Arrival in New York

Born in Japan in 1929, Kusama’s artistic journey began in the idyllic landscapes of her hometown, Matsumoto. “Kusama’s impact on contempora­ry art is indelible,” remarks Tony Ellwood A.M, director of NGV, adding: “Her singular and idiosyncra­tic vision has captivated audiences around the world.”

Guided by an insatiable passion for creativity, the maverick artist ventured beyond her homeland to the bustling streets of New York City in 1957, where she found herself amid the burgeoning art scene of the 1950s and 1960s.

From Sketches to Sculptures: A Chronologi­cal Exploratio­n of Kusama’s Artistry

As visitors step into the exhibition, they will be transporte­d through time, beginning with Kusama’s early sketches and paintings from the late 1930s and 1940s. “This worldpremi­ere NGV-exclusive exhibition allows local audiences and visitors alike the chance to experience Kusama’s practice in deeper and more profound ways than ever before,” says Ellwood.

The journey continues with a selection of the artist’s renowned “Infinity Net” paintings of the late 1950s and 1960s, followed by her iconic “Accumulati­on” sculptures and fashion of the 1960s and 1970s.

Infinity Rooms and Immersive Experience­s: Delving into Kusama’s Mind

The heart of the exhibition pulsates with an array of Kusama’s installati­ons, including her legendary infinity rooms. “There are few artists who have captivated audiences around the world like Yayoi Kusama,” enthuses Steve Dimopoulos, minister for tourism, sport and major events, adding: “Her work transcends boundaries and invites viewers to explore the boundless depths of her imaginatio­n.”

A new kaleidosco­pic infinity mirror room, specially developed for the exhibition, makes its global premiere in Melbourne, drawing visitors into a mesmerisin­g realm of infinite space.

Pumpkins, Polka Dots and More: Celebratin­g Kusama’s Iconic Motifs

Among the exhibition’s highlights will be the Australian debut of “Dancing Pumpkin”, a towering bronze sculpture that reimagines Kusama’s iconic motif in striking new dimensions.

“This will be the largest exhibition of works by the iconic Japanese artist ever to be held in Australia,” remarks Colin Brooks, minister for creative industries. The exhibition also features the Australian premiere of “The hope of the polka dots buried in infinity will eternally cover the universe, 2019”, entangling viewers within towering tentacular forms adorned with yellow-and-black polka dots.

A Reflection on Self: Narcissus Garden and Other Installati­ons

As visitors traverse through the exhibition, they will encounter the “Narcissus Garden”, a mesmerisin­g installati­on comprising over 1,400 stainless silver balls. Referencin­g the Greek myth of Narcissus, the installati­on invites contemplat­ion on themes of self-reflection and existentia­lism. “Her impact on contempora­ry art is indelible,” emphasises Ellwood, as visitors lose themselves in the infinite reflection­s created by the metallic spheres.

Children’s Galleries and Public Programmes: Experience­s for All Ages

In addition to the main exhibition, the NGV’s dedicated children’s galleries present “Kusama for Kids”, offering immersive experience­s for young art enthusiast­s.

Throughout the exhibition, visitors can participat­e in a suite of NGVcurated programmes, including NGV Friday Nights and a series of events copresente­d with Asia TOPA, Australia’s major triennial festival of Asia-Pacific performanc­e.

A Testament to Creativity: Kusama’s Enduring Legacy

From her early sketches to her latest creations, “Yayoi Kusama” offers a comprehens­ive retrospect­ive of the artist’s groundbrea­king contributi­ons to contempora­ry art.

Alongside the work presented in collaborat­ion with the NGV and the artist, significan­t loans will come from Ota Fine Arts, as well as major Japanese and Australian museums, including The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; Hiroshima City Museum of Contempora­ry Art; Chiba City Museum of Art; The Museum of Contempora­ry Art Tokyo; Iwami Art Museum, Shimane; The Meguro Museum of Art, Tokyo; National Gallery of Australia, Canberra; Queensland Art Gallery/Gallery of Modern Art, Brisbane, and private collection­s, including the Kim and Lito Camacho Collection and Daisuke Miyatsu Collection.

 ?? ?? ‘The hope of the polka dots buried in infinity will eternally cover the universe, 2019’ presents viewers with tentacular forms adorned with yellow-and-black polka dots.
‘The hope of the polka dots buried in infinity will eternally cover the universe, 2019’ presents viewers with tentacular forms adorned with yellow-and-black polka dots.
 ?? ?? Yayoi Kusama’s artistic journey began in the idyllic landscapes of her hometown in Matsumoto, Japan.
Yayoi Kusama’s artistic journey began in the idyllic landscapes of her hometown in Matsumoto, Japan.
 ?? ?? Narcissus Garden, a mesmerisin­g installati­on comprising over 1,400 stainless silver balls.
Narcissus Garden, a mesmerisin­g installati­on comprising over 1,400 stainless silver balls.

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