Prestige (Malaysia)

SU-QUINN TEH

Finding beauty in today’s fast-paced world, SU-QUINN TEH tells us how

- WORDS RUBIN KHOO | PHOTOGRAPH­Y KIM MUN @ HOPSCOTCH STUDIO STYLING NIGEL LEE | HAIR AND MAKE-UP VERON WOON

On embracing motherhood, designing roses and carrying her style

effortless­ly

It doesn’t come across as surprising when Su-Quinn Teh described Blair Waldorf, the Queen B of the hit series GossipGirl as one of her early fashion influences. But don’t misunderst­and, Su-Quinn bears no similariti­es to the scheming Waldorf but rather connects with the latter’s sense of style which was often reminiscen­t of a Hollywood celebrity from the golden age of cinema.

EvEn as a child, Su-Quinn was often dressed in frocks – a term that is lost in today’s world – paired with Ferragamo headbands. Today, her classic style remains as she points to Jasmine the New York socialite played by Cate Blanchett in the film Blue Jasmine as her fashion inspiratio­n.

“Quaint and romantic,” she says, when asked about her fashion choices. “I am typically described as being classic and well-coordinate­d.”

At times, perhaps, a little “stuck” in her comfort zone as she remains consistent in her choice of outfits. But that’s perfectly fine, as SuQuinn is certainly not one to follow trends. To her, fashion is a “creative expression of personalit­y and emotion.” It is this individual­istic aspect that led to her being spotted by photograph­ers when she was just 16, resulting in some modelling work. She also appeared in the work of Australian director Bernie Zelvis.

“One should never try to dress up as someone else because you lose your sense of originalit­y in the process,” she says. “I think it is very interestin­g how clothes were created for functional reasons but are now a form of expression.”

Now, she adds, clothes have meaning. What’s important, she says, is to be confident and comfortabl­e in your clothes.

“The constant evolution of the fashion world also demonstrat­es our ability to change, to improve and push ourselves further over time. That is the beauty of life.”

It is a point of view that is perhaps a little unusual for a graduate in accounting and finance. Su-Quinn does admit she took a somewhat traditiona­l path academical­ly. Upon graduating, Su-Quinn worked as a stylist and buyer for David Jones, something that was more aligned with her interests. Later she ventured into interior design and floral arrangemen­ts, to further develop her creative spirit.

Her interest in interiors began early when she used to wander into the décor section of Laura Ashley, then located in Suria KLCC. While living in Melbourne, Su-Quinn recalls spending hours along Church Street in South Yarra, going through interior stores like Koko Lane, French & English, Maison Living & Provincial, while she redecorate­d her family’s homes.

She had been tasked with refurbishi­ng a couple of family properties with her mum which cemented her interest in interiors.

“My mum and I decorated a few homes together which eventually flourished into a hobby and now a part-time job,” she explains.

Later, her husband, Lip Jin Teh, encouraged her to pursue her passion in floristry by enrolling in floral arrangemen­t courses at Jane Packer in London. Soon after. SuQuinn joined forces with a friend and started the florist Ever Bloom. Now, the mother of twin boys, she does floral arrangemen­ts and interiors on a project basis.

For Su-Quinn, it isn’t as simple as a rose smelling as sweet by any other name. Instead, she describes each flower as having their own distinct personalit­y.

“Each flower is very special on its own,” she says. “The way it moves or the number of petals it has. No floral arrangemen­t can be 100 percent the same and there can be many sides to an arrangemen­t. I love how there is always something to stimulate my mind.”

Each florist, she says, has their distinct identity which results in a specific way in the flowers being designed.

“It can be more green and garden like, more romantic, more flamboyant or modern or just a clean, classic look filled with leaves. It is a pretty straightfo­rward journey from there. Once you have identified this, as long as there is a right balance of colours, textures and sizes, the arrangemen­t will definitely work.”

“People don’t realise how tedious and time consuming it is to make a

“Each flower is very special on its own, he way it moves or the number of petals it has. o floral arrangemen­t can be 100 percent the same”

floral arrangemen­t,” she adds. “For instance, how the length of each stalk and direction it points to can transform the entire look of the arrangemen­t.”

There is also a specific thought process where interior projects are concerned. It usually starts with a theme, from there the rest will unravel.

“Once there is a sense of direction I can visualise the entire length of the space,” she explains, “where to put the main furniture, the type of wallpaper for the feature wall and whether I would go with chandelier­s, lamps or wall lights.”

However, as a young mother – her twins recently turned one – Su-Quinn is more focused on spending time with her boys, Chad and Casper Teh. This also means she spends quite a bit of time in her favourite room, the nursery, formerly her husband’s wine cellar, which she transforme­d after discoverin­g she was expecting.

“I spent a lot of time in there when I was heavily pregnant and now reading stories to my kids and playing with them,” adding, “each day has become more meaningful with a sense of purpose. My sons are the last people I see before I head out and the first people I look forwhen I get home.”

 ??  ??
 ??  ??
 ??  ??
 ??  ?? FLORAL PRINT LONG DRESS, FROM MICHAEL KORS, TIFFANYKEY­S GARDEN KEY PENDANT IN PLATINUM & 18K GOLD YELLOW DIAMOND WITH CHAIN, FROMTIFFAN­Y & CO.
FLORAL PRINT LONG DRESS, FROM MICHAEL KORS, TIFFANYKEY­S GARDEN KEY PENDANT IN PLATINUM & 18K GOLD YELLOW DIAMOND WITH CHAIN, FROMTIFFAN­Y & CO.

Newspapers in English

Newspapers from Malaysia