The Borneo Post (Sabah)

Iranian director Rasoulof facing jail for film attacking corruption

- By Laure Fillon

PARIS: It is not easy to lead a good and virtuous life in Iran if the film-maker Mohammad Rasoulof’s latest film, A Man of Integrity, is anything to go by.

Its downtrodde­n hero struggles to make an honest rial from his goldfish farm, caught in a nightmaris­h, distorting fish bowl of corruption at every turn.

The film, which won the prestigiou­s Un Certain Regard prize at the Cannes film festival in May, is a damning indictment of how the “daily reality of graft” is sapping the Islamic Republic.

“Corruption has penetrated every layer of society,” Rasoulof told AFP by Skype from his home in Tehran, where he is effectivel­y under house arrest since his passport was confiscate­d when he returned from the Telluride film festival in the US in September.

The dark thriller tells the story of Reza, who refuses to pay a bribe for a loan that would save his business, and finds himself confrontin­g a rotten array of officials and businessme­n who run a small town in the north of the country.

“Corruption goes from the bottom of the social ladder right to the top of the pyramid of power,” said Rasoulof, whose earlier acclaimed films “Manuscript­s Don’t Burn” and “Iron Island” were banned in his homeland.

A Man of Integrity is unlikely to see the light of day there either despite being praised by Variety and the Hollywood Reporter as a “compelling... tense, enraging drama”.

Rasoulof, 34, already has a suspended 12-month prison sentence hanging over his head after he was arrested on set in 2010 with his friend, the “Taxi” director Jafar Panahi, who was subsequent­ly banned from making films for 20 years.

Initially jailed for six years, Rasoulof’s sentence was reduced on appeal.

This time he faces similar charges of “propaganda against the regime” and “endangerin­g national security”.

But the threat of prison did not stop Rasoulof squaring up to the uncomforta­ble truth he insists is underminin­g the country from within.

Iranians are exhausted by graft, he said. “They want to leave it behind but they cannot, because corruption has become a system.

“This system forces you to be both corrupted, and a corrupter yourself. Even my friends are repulsed by it but cannot get away from it,” he added.

“People become oppressed and oppressors at the same time,” Rasoulof argued.

In the film, no one gets a free pass, not even Reza’s longsuffer­ing wife Hadis, the head of a secondary school.

She does nothing to stop a girl being excluded because she comes from a religious minority.

Nor is the fact that Reza is a goldfish farmer without significan­ce. Iranians traditiona­lly goldfish display on their tables for Persian New Year, Norouz, to symbolise renewal and perpetual life, and release them into ponds and rivers afterwards, where they inevitably perish.

President Hassan Rouhani tried to suggest a more humane alternativ­e last year by putting an orange in his fish bowl.

For now, Rasoulof’s own fate is not dissimilar to that of his character’s goldfish.

“I am completely in the dark, I do not know what is going to happen,” he told AFP. “But I will not allow myself to be beaten by it.”

“I cannot see my film being shown in Iran while I am waiting to be tried,” he added, lamenting how the country’s “intellectu­als had either left, were in prison, or had been reduced to silence.”

His French production company ARP has launched a petition on Change.org demanding that he be allowed to work and travel freely.

“If people were not supporting me outside Iran... my situation would be a lot worse,” Rasoulof added. “What keeps me going is that people do not forget me, and that my film will be seen.” — AFP

 ??  ?? Mohammad Rasoulof already has a suspended 12-month prison sentence hanging over his head. — AFP photo
Mohammad Rasoulof already has a suspended 12-month prison sentence hanging over his head. — AFP photo

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