The Borneo Post (Sabah)

‘Beautiful Days’ portrays N.Korea refugee’s past and hope

- By Jung Hawon

BUSAN, South Korea: This year’s Busan Internatio­nal Film Festival (BIFF) opened on Thursday with a movie portraying the plight of a North Korean defector and the unlikely family she formed during her harrowing journey.

South Korean feature film ‘Beautiful Days’ centres on Zhen Chen, a young Korean-Chinese man who visits Seoul to find the mother who abandoned him 14 years ago, in a bid to fulfil his dying father’s wish to see her.

The college student is left disappoint­ed by the cold reception from his mother, played by top South Korean actress Lee Nayoung — a bar waitress who lives in a decrepit house with her gangster lover.

But Zhen Chen soon finds out his mother’s dark secret — she was a defector from the North sold by human trafficker­s to his father, a poor Korean-Chinese farmer living near the border.

Once full of resentment over her fate, she eventually finds peace with her newfound family but her dark past continues to haunt her, leading to tragic events that leave her separated from her husband and son.

The sombre, 104-minute film borrows many bleak details from the reality of the border between North Korea and China, home to a booming trade in human traffickin­g, drugs and prostituti­on.

Those fleeing poverty and repression in the North must first cross this border — but many women who do so are sold by human trafficker­s to rural Chinese men as brides or forced into sex work.

Many endure a life akin to slavery, fearing harsh punishment at home once they are caught by Chinese authoritie­s and are sent back.

China largely considers the North’s defectors as economic migrants and repatriate­s them to the North where they face imprisonme­nt, torture or time in labour camps. Reconcilia­tion

Director Jero Yun said his earlier chronicle of North Korean defectors — and many people he had met at the frontier between the North and China — inspired the latest film.

 ??  ?? A still from ‘Beautiful Days’.
A still from ‘Beautiful Days’.

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