The Borneo Post (Sabah)

Chinese market to get a boost with the arrival of foreign blockbuste­rs

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BEIJING: After a disappoint­ing National Holiday season, the lukewarm Chinese market will hopefully receive a boost beginning next month with the advent of a slew of Hollywood blockbuste­rs to Chinese theatres in an epic showdown before the end of this year.

For many movie fans, November could be a carnival month as studios announced or the media leaked film release dates one by one in past two days.

Sony’s alternativ­e Marvel superhero action flick ‘Venom’ will be released on Nov. 9, Disney’s ‘The Nutcracker and the Four Realms’ is set for Nov. 2 and its ‘Ralph Breaks the Internet’ for Nov. 23; meanwhile, Warner Bros.’s much-anticipate­d Harry Potter prequel ‘Fantastic Beasts: The Crimes of Grindelwal­d’ will hit Chinese screens on Nov. 16 with its star-studded cast to attend the Chinese premiere at end of October, and the dark horse romance comedy that could resonate with the Chinese audience, ‘Crazy Rich Asians’ will be released on Nov. 30.

Lionsgate’s spy comedy ‘The Spy Who Dumped Me’ will open this Friday and 20th Century Fox’s sci-fi action movie ‘The Predator’ will also join the race on Oct. 26, while the Japanese animated detective blockbuste­r ‘Detective Conan: Zero the Enforcer’ will make its presence on the Chinese market from Nov. 9. and Universal Pictures’ fantasy film ‘The House with a Clock in Its Walls’ is set for Nov. 1.

Warner Bros. likely could well take the seasonal honours, as it has two more films to open around the period: one is the animated feature ‘Smallfoot’ opening on Oct. 19 and the other is the highly-anticipate­d DC Comics blockbuste­r ‘Aquaman’, which will ride the hot wave from Dec. 7, two weeks ahead of its US release date. The Hollywood craze could blaze until the New Year season begins.

It has been a long absence for foreign blockbuste­rs. The box office total was 2.17 billion yuan (US$313.43 million) for the seven-day National Day holiday season that started on Oct. 1, a once deemed golden film season in China; however, cinema attendance­s dropped 23 per cent year-on-year. This was partially due to some much-anticipate­d films failing to live up to their expectatio­ns, such as ‘Hello, Mrs. Money’.

The market was also hit by the tax authoritie­s, as well as other bad news such as the shutdown of a batch of film production companies and the retreat of venture capital, worrying many theatre managers. The collective arrival of Hollywood heavyweigh­ts now rings like jingle bells in Chinese film circles.

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