Tsunami of pop stars set to rock Cannes film festival
CANNES, France: Bono, Elton John, Iggy Pop, Tom Waits... The red carpet at Cannes is shaping up to look like a dream rock festival line-up. Not to mention Rihanna and a couple of the surviving members of Led Zeppelin, who may yet put in an appearance at the world’s biggest film festival, which starts on Tuesday.
The opening movie alone, the tongue-in-cheek zombie flick “The Dead Don’t Die”, is chock full of Alister musicians.
As well as Waits and Iggy Pop – who plays a rampaging member of the undead – it also stars singer Selena Gomez and rapper and WuTang Clan guru RZA.
Its director Jim Jarmusch is a composer in his spare time and leads Bill Murray and Adam Driver are both musical, with the “Groundhog Day” actor touring North America as a singer with a chamber orchestra in 2017.
And that is all before the promise of Elton John bringing his grand piano to the Croisette to play at the premiere of his biopic, “Rocketman”.
With “Bohemian Rhapsody” taking more than US$900 million at the box office, cinema bosses are wetting their lips over the amount a film about the sex and drug-fuelled life story of the writer of such standards as “I’m Still Standing” will rake in.
Unlike that the Freddie Mercury movie, which skirted around the singer’s complex personal life, the Elton John picture prides itself on its warts-and-all portrayal.
The singer – who has been frank about his struggles with his sexuality, drugs and alcohol – was himself deeply involved in the film, which his husband David Furnish produced.
“We didn’t want to compromise the fact we felt it had to be hardhitting and truthful,” Furnish said.
“I think we would have got a lot more interest (from studios) at the higher-budget levels if we’d been willing to produce a more sanitised version of Elton’s life.
“That never appealed to Elton,” he added. “His life has had incredible moments of lightness but also moments of real darkness. We wanted to be very honest about those and not gloss them over.”
More than a decade in the making, the film was written by Lee Hall of “Billy Elliot” fame with its star Jamie Bell playing Sir Elton’s friend and lyricist Bernie Taupin, who penned such classics as “Rocketman”, “Candle in the Wind” and “I Guess That’s Why They Call It The Blues” with John.
British actor Taron Egerton, who shaved his hair to mimic the singer’s receding 1970s hairline and painting a gap in his teeth, said he was freaked out when the man himself walked onto the set as he was performing “Saturday Night’s Alright for Fighting”.
“I don’t think I could have done it if he was around a lot,” he admitted.
But the now 72-year-old superstar was impressed, telling the Hollywood Reporter last week that “I didn’t think it was Taron. I thought it was me.”
Distributors at Cannes will also get a sneak preview of first authorised documentary on the legendary rock band Led Zeppelin.
Jimmy Page, Robert Plant, John Paul Jones and the late John Bonham all spoke to director Bernard McMahon, the maker of the acclaimed television series on roots music, “American Epic”.
“When I saw everything Bernard had done both visually and sonically on ‘American Epic’, I knew he would be qualified to tell our story,” Page said in a statement.
Speculation is also rising that pop idol Rihanna – who is about to launch her new luxury Parisbased fashion house Fenty – could also turn up on the Riviera, with a source close to her entourage telling AFP that he “wouldn’t be shocked up she drops by”.
We didn’t want to compromise the fact we felt it had to be hard-hi ing and truthful. I think we would have got a lot more interest (from studios) at the higherbudget levels if we’d been willing to produce a more sanitised version of Elton’s life. David Furnish, producer