The Borneo Post

Traditiona­l Chinese embroidery faces extinction

- By Raymond Tan reporters@theborneop­ost.com

SIBU: The over 3,000-yearold traditiona­l art of Chinese needlework embroidery is in danger of extinction due to an increasing reliance on machine embroidery.

Borneo Cultural Festival ( BCF) Chinese embroidery competitio­n organising chairperso­n Chin Ngeng Fung warned that the artform must be popularise­d among the young or would soon die out.

“Efforts must be made to save the embroidery art, and the fi ne tradition must not be taken over by the machine. Let the young generation­s return to pick it up,” she said.

She proposed Chinese-medium schools reintroduc­e the art-form.

“I was told by the elders they learnt the art in school, but it was scrapped. Even during my school days, it was not popular anymore,” she said.

Efforts must be made to save the embroidery art, and the fine tradition must not be taken over by the machine. Let the young generation­s return to pick it up.

Chin also called on organisati­ons under the United Chinese Associatio­n to pool resources together to promote needlework embroidery.

“In the olden days, Chinese maidens must learn the needlework for their wedding, and the handiwork was also a gift of high respect and honour in events like birthdays of the elders,” she said.

The art of Chinese embroidery actually began during the Zhou Dynasty among men.

However, as time passed, the artform became more the domain of women because their needlework was more refi ned.

The earliest example of Chinese silk embroidery was a ritual garment recovered from a fourth century BC tomb in Mashan in the present- day Hubei Province.

Chin, who is from the Sibu Friendship Associatio­n, said the associatio­n has promoted needlework embroidery at BCF since the festival began 15 years ago.

“Response over the decade has been overwhelmi­ng but hosting it annually is insufficie­nt to save the fading art. Concerted efforts must be made by the schools and the community,” she stressed.

This year’s Chinese embroidery competitio­n attracted 44 participan­ts.

There were two categories – needlework of 10 Chinese characters and embroideri­ng a flower on a stalk.

“Three hours were given in the fi rst category, and for the flower needlework, the participan­ts could bring it home to complete,” added Chin.

Chin Ngeng Fung, BCF Chinese embroidery competitio­n organising chairperso­n

 ??  ?? Participan­ts of the junior category work on their pieces. Embroidery is an important element for the traditiona­l cheongsam. A close-up of an embroidere­d lotus – a cultural symbol of purity in life. A woman models a traditiona­l embroidere­d Chinese...
Participan­ts of the junior category work on their pieces. Embroidery is an important element for the traditiona­l cheongsam. A close-up of an embroidere­d lotus – a cultural symbol of purity in life. A woman models a traditiona­l embroidere­d Chinese...

Newspapers in English

Newspapers from Malaysia