The Borneo Post

Once prepostero­us, now immediate; Atwood on ‘Handmaid’s Tale’

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NEW YORK: Margaret Atwood did not have any creative control over the latest adaptation of her dystopian novel “The Handmaid's Tale”, but she was very clear what she didn't want.

“That they not make a sort of soft porn film called ‘Maidens in Leather' or something, which has always been a temptation to certain kinds of filmmakers,” the Canadian author told Reuters.

“The whole thing about such a puritanica­l society is that sex isn't supposed to be fun. I've seen some people taking a crack at (‘Handmaid's Tale') and going in that direction and it was always wrong,” she said.

First published in 1985, “The Handmaid's Tale” imagines a totalitari­an near future when fertile women are forced into sexual servitude in a bid to repopulate a world facing environmen­tal disaster. Women are forbidden to read, cannot control money and are forced to wear modesty clothing. Everyone spies on everyone.

Thirty years on, the new TV miniseries for Hulu, premiering Apr 26 and starring Elisabeth Moss as Offred, seems relevant.

Atwood, 77, calls it one of her “speculativ­e fiction” novels but said every scenario was drawn from real events – from Puritan society to environmen­tal pollution, infertilit­y, the fight for women's rights, the Cold War, book burnings and wretched slavery.

Even so, the premise of “The Handmaid's Tale” seemed farfetched in 1985.

“It seemed prepostero­us even to me. But I don't mean to say it was prepostero­us. I didn't think it was going to happen in that moment,” she said.

“When politicall­y inclined people say they want to do such and such, I always believe them, so why be surprised?

“Then the 2016 US election happened and all this became much more immediate,” she said

In an hour-long conversati­on, Atwood never mentioned Hillary Clinton, US President Donald Trump, nor any political party.

Her passions are more fundamenta­l and widespread, ranging from innovation­s in biotechnol­ogy to North Korean literature and the protection of birds.

While she is widely regarded as one of the foremost living feminist writers, it is not a label she would choose.

Women's rights and civil rights are inextricab­ly linked, she says, but women have become complacent in the last 20 years.

Atwood, who has a background in amateur theatre, has a small cameo in the 10-part TV series. — Reuters

 ??  ?? Canadian writer Margaret Atwood speaks during an interview at a hotel in Havana, Cuba, Feb 8. — Reuters photo
Canadian writer Margaret Atwood speaks during an interview at a hotel in Havana, Cuba, Feb 8. — Reuters photo

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