The Borneo Post

How Bollywood became a cinematic force in China

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WHEN \ Bollywood superstar Aamir Kahn’s family sports drama Dangal pulled in US$ 190 million at the Chinese box office last year — vastly more than any foreign film has ever earned in North America — it came as an absolute surprise to most internatio­nal industry observers. But the record-breaking result, in fact, was the culminatio­n of many years of careful cultivatio­n of the Chinese cinematic market for Indian cinema, an effort that has only accelerate­d in Dangal’s wake.

Kahn’s next film, Secret Superstar, opened nine months later in January 2017 and earned US$ 119 million ( RM476 million), besting the China total of Marvel juggernaut Black Panther ( US$ 108 million). Both of the Indian titles were distribute­d in China by Beijingbas­ed distributo­r E Stars Films, headed by industry veteran Alan Liu, a rare early advocate for Bollywood’s box- office potential in the country.

“This second success proved that Indian films in China are no joke,” says Prasad Shetty, a producer on Secret Superstar and a partner in Strategic Alliance, which promotes ties between Bollywood and Beijing. “Everyone in the industry has woken up to the fact that this phenomenon is here to stay for a longer period of time.”

The new wave of Indian cinema in China arguably got its start back in 2009 with the coming- of- age comedy 3 Idiots, co-written and directed by Rajkumar Hirani. The film was never released in China, but it became a sleeper hit in Hong Kong ( US$ 3 million, a big total in the city for a non-Hollywood, non-local film), which generated positive word- of-mouth in the mainland and led to it gradually becoming a widely pirated fan favourite.

China’s Film Bureau then gave Bollywood a boost in 2014 when it signed an official co-production treaty with India. The agreement generated considerab­le press in both countries, encouragin­g Indian filmmakers and distributo­rs to consider the surging Chinese box office as a viable market for the first time. Around the same time, Jackie Chan made a high-profile visit to New Delhi, and Khan’s satirical sci- fi film PK scored India’s first wide theatrical release in China, earning a then-record US$ 19.4 million.

Jackie soon signed a deal to star in the first official ChinaIndia co-production, Kung Fu Yoga, which would later pull in US$ 255 million in China in early 2017. Chinese comedy superstar Wang Baoqiang’s co-production Buddies in India came out the same year, grossing a healthy US$ 110 million.

 ??  ?? Aamir Khan (left) and director Mansoor Khan (R) attend the 30th anniversar­y event for his debut Hindi film ‘Qayamat Se Qayamat Tak’ in Mumbai. — AFP photograph­y
Aamir Khan (left) and director Mansoor Khan (R) attend the 30th anniversar­y event for his debut Hindi film ‘Qayamat Se Qayamat Tak’ in Mumbai. — AFP photograph­y

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