The Borneo Post

Ravers flock to dance floor in Saudi’s gateway to Mecca

- Robbie Corey-Boulet

JEDDAH, Saudi Arabia: On a stage inside the historical centre of Jeddah, the main gateway for Muslim pilgrims heading to Mecca, rapper Ty Dolla $ign asked his screaming Saudi fans a few questions.

“Where the hot girls at?” the dreadlocke­d 41-year-old American (real name: Tyrone William Griffin Jr) bellowed into the microphone during his set at the Balad Beast music festival.

“How many of you trying to get lit a er the show tonight? How many of you trying to get faded?”

It was an eyebrow-raising scene in conservati­ve Saudi Arabia, which first allowed largescale mixed-gender festivals only about five years ago, and maintains a strict no-alcohol policy.

Yet Ty Dolla $ign’s performanc­e in Jeddah’s oldest neighbourh­ood, known as AlBalad, alongside artists like Wu-Tang Clan and Major Lazer underscore­d efforts to revamp the Unesco World Heritage site, expanding its allure for young Saudis and foreigners.

Under Vision 2030, Crown Prince Mohammed bin Salman’s ambitious plan to develop a postoil economy in the world’s biggest crude exporter, authoritie­s are targeting 3,000 new hotel rooms in Al-Balad as they try to a ract millions more tourists.

Beyond events such as Balad Beast, the 2.5-square-kilometre (nearly one square mile) area is being transforme­d by an influx of cafes, museums, performanc­e spaces and workshops for artists and cra speople.

Jeddah residents acknowledg­e some anxiety about the changes in a neighbourh­ood strongly associated with the annual hajj pilgrimage and traditiona­l Ramadan markets.

But that was hard to glean from the droves of ravers who crowded the four stages at Balad Beast, some with gli ery face paint and glow sticks. Most of the women had their hair and faces uncovered.

“Every time I come to Saudi, it’s a vibe,” Ty Dolla $ign said at one point, inserting an expletive for emphasis.

Historic city, modern vibes

Al-Balad came to prominence in the seventh century as a hub for pilgrims and traders.

Saudi Arabia’s founding ruler King Abdulaziz conquered Jeddah in the 1920s, and in 1947 fast growth prompted authoritie­s to tear down the walls surroundin­g Al-Balad, the city’s heart.

Some of the gates still stand, however, as do Al-Balad’s distinctiv­e coral stone buildings, many with balconies built from la iced teak wood.

Unesco granted Al-Balad World Heritage site status in 2014, and in 2018 ‘revitalisa­tion’ efforts overseen by the culture ministry began in earnest.

Today, green barricades erected by the ministry protect restoratio­n work on centurieso­ld villas, mosques and markets, known as souks.

The ever-expanding calendar of festivals and art exhibition­s has enlivened the neighbourh­ood, a racting people who might otherwise have li le interest in it, said Ali Assi Loush, a Lebanese DJ who has lived in Jeddah for 20 years.

“If Balad didn’t have Balad Beast, or whatever events it has now, none of the new generation would come to Balad. They’d go to the beach,” he said.

“They’re not interested in those old shops.”

For some elderly residents, though, the new additions can be jarring, he said, likening this wariness to that of a grandmothe­r who refuses to part with a beloved, if ba ered, chair.

“She would never let you remove it, throw it away, even though it’s broken into pieces... No, it’s her chair. It’s the same thing,” Loush said.

Abir Abusulayma­n, a Saudi tour guide, said most people were enthusiast­ic about Al-Balad’s future, and that there was a clear solution for those who were not.

“They can stay at home,” she said. “Easy and simple.”

‘Extraordin­ary’

The debate about what’s happening in Al-Balad is partly fuelled by broader changes in Jeddah, where an ongoing US$20billion redevelopm­ent project stands to displace half a million people.

Authoritie­s pitch the project as an upgrade that can replace ‘slums’ with amenities like a stadium, an oceanarium and an opera house.

But some affected residents have complained they don’t know how to seek compensati­on, and seethe about official portrayals of their neighbourh­oods as dens of drugs and crime.

Abusulayma­n, the tour guide, said she did not mourn the neighbourh­oods that have been razed - most of them far from AlBalad - predicting they would be replaced by something be er.

“I’m very happy that they are gone. These were unplanned districts... no schools, no gardens, no clinics, and some people just built their houses without having the land,” she said.

Instead she preferred to focus on new features of life in AlBalad, as did those who partied late into the night during Balad Beast.

“Personally I like to dress in a vintage style and this is the same thing, it’s the same vibe,” said Abdulrahma­n Alhabshi, 20, as images of the performers were projected on nearby walls.

Adnan Manjal, a Jeddah-born DJ known as AZM, was similarly effusive about Al-Balad’s evolution.

“To see it transform not only into a Unesco heritage site but also a dance floor,” he said, “is just extraordin­ary.” — AFP

 ?? — AFP photos ?? People attend a concert during the Balad Beast music festival in Jeddah’s oldest neighbourh­ood, known as Al-Balad.
— AFP photos People attend a concert during the Balad Beast music festival in Jeddah’s oldest neighbourh­ood, known as Al-Balad.
 ?? ?? People pose for pictures during the Balad Beast music festival in Jeddah’s oldest neighbourh­ood, known as Al-Balad.
People pose for pictures during the Balad Beast music festival in Jeddah’s oldest neighbourh­ood, known as Al-Balad.
 ?? ?? People on a street in Jeddah’s oldest neighbourh­ood, known as Al-Balad.
People on a street in Jeddah’s oldest neighbourh­ood, known as Al-Balad.

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