Growing ever upwards
The almost 2,000-yearold city of London is facing great change as global investment spurs the building of more and more towers.
THE face of London is about to change. Dozens of buildings of 20 stories or more are under construction or planned along the south bank of the River Thames just upstream from world renowned icons like Big Ben and the majestic dome of St Paul’s Cathedral. The development surge, fuelled by wealthy foreigners looking for a safe place to invest, has spawned concern that the city is sacrificing its heritage for the sake of luxury homes.
“London is in danger of becoming a sort of Abu Dhabi, a sort of Hong Kong,” warned Nigel Barker of English Heritage, a body devoted to protecting the nation’s inheritance.
It’s not that London lacks distinctive tall buildings: the 87-storey Shard stabs the sky south of London Bridge, the 41-storey Gherkin rises above the financial district, and soon there will be the 38-storey Walkie Talkie, all of which earned their nicknames because of their unique shapes.
But critics are concerned about the sheer number of new projects – some 200 in various stages of consideration or construction, according to New London Architecture, an independent group studying development. Many of them are residential properties clustered along the south side of the Thames with views of the water and the architectural treasures across the river.
Unease about tall buildings in this city, which prides itself in having risen from the ashes of the Great Fire in 1666, isn’t new. Architectural purists like Prince Charles, the heir to the throne, have long warned against skyscrapers.
But economic forces following the 2008 economic crisis have rekindled the conflict between development and conservation. While the British government seeks to rein in the financial services industry, London continues to attract foreign money and wealthy expatriates, straining the city’s Victorian-era infrastructure and widening the wealth gap.
The independent Smith Institute estimated in 2012 that investment in luxury homes was £5bil (RM27.5bil) a year. In the two years through June 2013, foreign nationals bought 69% of the newly built homes that sold for more than £1mil (RM5.5mil) in central London, according to an October report by Knight Frank, a London property adviser.
In traditional Chinese horse painting, Phua said, flat brushes are rarely used as they make painting the horse extremely difficult.
Phua integrates his skills of traditional Chinese painting with a sense of modernity. Through his bold and vigorous brushwork, the horses on the rice paper come alive with powerful energy.
But his mastery with horse painting comes from his observation of horses with his “brain and heart.”
Phua also uses a unique technique in rendering the horse’s galloping motion. The four limbs of the horse are rendered in a simplistic way using vigorous calligraphic brush strokes. His traditional Chinese painting brushwork is said to be “forceful, energetic, unrestrained as well as bold.”
“The tremendous energy in my horse paintings is like a surging symphony rousing up the beholders,” he said.
Earlier this month, Phua took his art to the masses. He painted the “longest single horse painting (12m by 6m) with paint on canvas” at Suria KLCC. Entitled One Big Horse to represents 1Malaysia, it was completed in about 40 minutes, he said.
Phua used the largest Chinese brush (big-
“It is a honeypot for global capital,” says Peter Murray, chairman of New London Architecture. “So we’re seeing pressures we’ve never experienced before. The movement of global capital is having a dramatic effect on how we plan the city.”
As governments poured money into banks to save them during the financial crisis, rich people around the world sought safe places to park their money. Investors flocked to London because of the stability of Britain’s government, the city’s vibrancy and its tolerance for newcomers.
“We didn’t know that the UK in general, and London in particular, would be seen as a safe haven for people all over the world,” says Tony Travers, an expert on issues facing the capital at the London School of Economics. “Property in London was treated as an asset class that was safer than, say, banks in Cyprus.”
From 2007, just before the crisis, to October 2013, house prices in London’s most desirable neighbourhoods rose sharply. In Kensington and Chelsea, home to Kensington Palace and Notting Hill, average prices rose 42% to £1.2mil (RM6.6mil), according to the Smith Institute. In the City of Westminster, which hosts the Houses of Parliament, prices jumped 43% to £863,000 (RM4.7mil).
Prices for newly built homes on the south bank of the river are even higher. A fourbedroom apartment that is slightly more than 600sqm in the 50-storey Tower at St George Wharf is being offered for £19.5mil (RM107.6mil).
The boom is also a reflection of London’s attractiveness as one of the world’s most cosmopolitan cities. With a population of 8.2 million, London boasts not just people from all corners of the former Empire, but everywhere else, too. There are more French citizens living in London, for example, than in Bordeaux, France. Then there are some 250,000 Americans.
Demand for housing has spurred development, with a dozen construction cranes jutting into the sky along the south bank of the river west of Westminster Bridge. The work is part of a £15bil (RM82.8bil) collection of projects known as Nine Elms, which promoters say will create 16,000 new homes, 25,000 jobs and an “internationally significant business district” in the boroughs of Lambeth and Wandsworth.
Deputy mayor for planning Edward Lister says there’s a strategic approach to protecting the city’s skyline, with detailed policies making sure the right buildings are in the right place.
“What we can’t do is try to impose some kind of freeze on the skyline and suspend the capital in stasis,” he says.
Others aren’t so sure about it all, among them Unesco’s (United Nations Education, Scientific and Cultural Organisation) World Heritage Committee, the moral overseer of sites of significance. It has expressed concern about development near the London Houses of Parliament, fearing it will ruin the view from Westminster, and has urged authorities “to ensure that these proposals are not ger than a mop) made with horse hair in Malaysia.
He considered the event to be an art demonstration and an exercise to challenge his ability as an artist.
“As 2014 is the Year of the Horse, this attempt was even more meaningful,” said Phua.
Datuk Danny Ooi, the founder of the Malaysia Book of Records, witnessed the record-making attempt on Jan 16 together with two Tan Sri Richard Cham (chairman of Selangor Turf Club) and Andrew Brien, CEO of Suria KLCC. Phua reckoned his horse painting will also be unofficially the world’s largest Chinese horse painting.
“My aim is to share my experience, artworks, opinions and knowledge of art with art enthusiasts around the world,” he concluded.
More info at www.jamesphuadehorse.com. approved in their current form”.
Should the committee ultimately put the site on its endangered list, it would be an embarrassment for Britain, which takes pride in safeguarding its national treasures.
Critics say the power of local councils to approve construction is leading to disconnected planning – even though city authorities have the final say. The city, critics complain, is being re-designed via mission creep, one skyscraper at a time.
That’s a problem for people like Barker, who wants the city to look more closely at the overall picture and to remember that tourists – to say nothing of investors – come to see parks, squares, bell towers and palaces.
“London trades on its look more than other cities,” he points out, adding that he hopes there will be more awareness of the changes the city faces.
Paul Hackett, the Smith Institute’s director, argues that local government decisions should face more scrutiny. “There should be a public discussion,” he says. “If there are 200 tall buildings planned, that’s fine. But there should be a proper debate.” – AP
New skyline: The ancient city of London now boasts glittering glass towers and futuristic shapes. — reuters
Polo (97cm x 181cm) is a painting depicting a game of polo, which Phua has taken keen interest in when it comes to his art.
The Shard at its inauguration in 2012 upon the completion of its exterior. Can London find a balance between old and new without losing what makes it one of the most visited cities in the world?
This is the auspiciously named Successupon arrivalOfTheHorse (70 cm x 138.5cm), which is also a popular Chinese adage.