The Star Malaysia - Star2

Mining for the arts

- More info: causewayex­change.com By NABILAH SAID

A MALAYSIAN city with colonial buildings, murals and hipster cafes. No, it is not George Town in Penang, but Ipoh in Perak – a former tin mining area experienci­ng a renaissanc­e of sorts.

The organisers of an annual festival, Causeway EXchange, are leveraging the charm and heritage of Ipoh for its upcoming edition. The festival, which features crossborde­r cultural exchanges between Singapore and Malaysia, takes place in Ipoh from Aug 24-27 and in KL from Sept 22-24.

It was started in 2010 by events organiser DMR Production­s and Singapore-based creative non-profit organisati­on Global Cultural Alliance. This is the first time there are activities in Ipoh. The festival has been held in Johor Baru, Kuala Lumpur and George Town. It is also organised in Singapore every other year. The festival’s programmin­g in Ipoh includes performanc­es by Singapore theatre company Teater Ekamatra, panel discussion­s by Singapore and Malaysian poets and mural artworks by Singapore artists Ernest Goh and Yip Yew Chong.

Over in KL, the programmin­g will focus on how the arts can help in therapy and medicine.

For example, a group of Republic Polytechni­c students will present a sensory-friendly production titled How Singapore Got Its Name on Sept 23 and 24. The show, about the founding of Singapore, is suitable for children with special needs.

There will also be a concert and exhibition held in the dark to bring about greater awareness of the experience­s of the blind.

Singapore poet Yong Shu Hoong, 50, looks forward to learning more about writers from Malaysia.

He is part of a literary panel discussion on Aug 26 that will look at the similariti­es and difference­s between Singapore and Malaysia’s literary scene, titled Same Same But Different.

The panel includes Singaporea­n poet Sim Piak How and Malaysian poets Wani Ardy, Paul Gnana Selvam and Bridget Eu Yoke Lin.

“I’ve always held the belief that we should have more of such interactio­ns. I don’t think we know enough of each other’s literary scenes,” says Yong.

“I’m curious about how Ipoh can be developed into more of a cultural centre. Going there feels a bit like a group of pioneers going to test the waters and experience the culture – to be there before it gets overdevelo­ped.” – The Straits Times/Asia News Network

 ??  ?? Singapore’s Republic Polytechni­c students in How Singapore Got Its Name ,a sensory-friendly production about the founding of Singapore. It is suitable for children with special needs. — The Straits Times/ANN
Singapore’s Republic Polytechni­c students in How Singapore Got Its Name ,a sensory-friendly production about the founding of Singapore. It is suitable for children with special needs. — The Straits Times/ANN

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