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A shared connection

- The Perplexed Soul

IT’S hard to imagine that any artist would take on the daunting task of reinventin­g some of Vincent Van Gogh’s most iconic self-portraits and paintings.

But in a new exhibition in Amsterdam, one of China’s best known contempora­ry artists Zeng Fanzhi has done just that, and in a unique fusion presents a series of striking paintings that lend fresh energy and vibrancy to the Dutch artist’s works.

“Many of the works by Vincent Van Gogh have become so iconic that you always feel that you know them, and we tend not really to look at them anymore,” said Axel Rueger, the director of the Van Gogh museum.

“That an artist really dares to enter into that confrontat­ion again, and look at Vincent’s work afresh, and ... do his own thing with it. That is for us of course, really interestin­g and really inspiring,” he told AFP at a press preview on Thursday.

For the exhibition Zeng Fanzhi/Van Gogh which runs until Feb 25, the Chinese artist has recreated six masterpiec­es by the Dutch master, adding his own distinctiv­e brushstrok­es, and even imbuing the new works with Chinese calligraph­y and handwritin­g.

The effect is startling. In Zeng’s re-imagining of a 1889 self-portrait, Van Gogh in a blue furry hat, his ear bandaged and a pipe in his mouth, still stares from the canvas somewhere into the distance. But Zeng has overlaid the portrait with a dizzying swirl of bold, rich lines. It’s both instantly recognisab­le, and yet completely new.

“Van Gogh and I differ a lot in many ways. There is 100 years of time between us,” Zeng told AFP, adding he had long been inspired by the troubled Dutch painter, who killed himself aged 37 in 1890 after a short-lived, but prolific career.

“I’m a contempora­ry artist and Van Gogh is a post-impression­ist artist. So we have totally different background­s and we express also other things, other feelings,” he added, speaking through a translator.

But while “each artist has his own character” he acknowledg­ed they may have a similarity of spirit, speaking of his “inner excitement” as in a burst of work he produced the large paintings in just a couple of years.

Zeng, whose 2001 painting The Last Supper sold for US$23.3mil (RM98.4mil) in 2013, making him one of China’s top-selling living artists, has also recreated a huge canvas depicting Van Gogh’s famous Wheatfield­s.

Born in 1964 in Wuhan in Hubei province, Zeng lives and works in Beijing. But his work has been exhibited in many of the world’s top museums, and in this new exhibition he is the first living Asian artist to hang alongside Van Gogh in Amsterdam.

It was a chance visit by Van Dijk to Zeng’s Beijing studios which led to the collaborat­ion.

Hanging on the wall was a 2009 oil painting by Zeng of his boots, which recalled a similar series of Van Gogh’s paintings of his own shoes.

The museum always tries to show that “Van Gogh is still relevant to modern and contempora­ry artists”, said director Rueger, adding Zeng’s work showed a “very deep connection” with the Dutch master’s work. – AFP

 ??  ?? Chin Wan Kee’s Wisdom (bronze, 2015), now showing at the National Visual Arts Gallery in KL. A top view of
(bronze, 2014).
Chin Wan Kee’s Wisdom (bronze, 2015), now showing at the National Visual Arts Gallery in KL. A top view of (bronze, 2014).
 ??  ?? Zeng Fanzhi has re-invented some of Vincent Van Gogh’s most iconic self-portraits and paintings. — Zeng Fanzhi Studio
Zeng Fanzhi has re-invented some of Vincent Van Gogh’s most iconic self-portraits and paintings. — Zeng Fanzhi Studio
 ??  ?? A Book With ‘Truth’ (bronze, 2007). — Photos: Chin Kok Puah
A Book With ‘Truth’ (bronze, 2007). — Photos: Chin Kok Puah

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