The Star Malaysia - Star2

The best of buildings

Top projects from around the world recognised at the World Architectu­re Festival 2017.

- By WONG LI ZA star2@thestar.com.my

THE massive task of rebuilding after an earthquake is no mean feat. One project not only did that, but also breathed new life into traditiona­l building techniques, serving as a good example of architectu­re that is relevant to people’s lives as well as the times.

For all this, the post-earthquake reconstruc­tion and demonstrat­ion project of Guangming Village in China was deemed the World Building of the Year 2017.

The designers, the Chinese University of Hong Kong, received the honour at the World Architectu­re Festival (WAF) awards ceremony last week. The 10th edition of the annual festival was held in Berlin.

The project began in the wake of the Ludian county earthquake in 2014, which flattened almost all the buildings in the village of Guangming.

The designers created safe, affordable, comfortabl­e and sustainabl­e homes for the villagers – homes that future generation­s can inherit.

“The architects succeeded in translatin­g ‘four walls and a roof’ into something which, through architectu­ral commitment, becomes a project that is much more profound,” said Paul Finch, WAF programme director, in a press statement.

“This project is a demonstrat­ion that architectu­re is just as relevant in the poorest of communitie­s as it is in the richest.”

The Future Project of the Year award went to Australia’s Sydney Fish Markets project by Allen Jack+Cottier and NH Architects.

The jury selected the project for “the great transforma­tion it offers to the area”. Commending it for its insightful vision, judges said “its success stems from the engagement and collaborat­ion with politician­s, developers and land owners.”

The Landscape of the Year award went to the project Peasants And Their Land: The Recovered Archaeolog­ical Landscape Of Chengtoush­an, Lixian County, China.

A 6,500-year-old live archaeolog­ical site, protected by the local government, served as the basis for the project by Chinese firm Turenscape Consortium.

Judges felt that this winner “reflected a hopeful and creative mixture of archaeolog­ical history, rice production, and tourism.”

They were also impressed by the “productive engagement between visitors and farmers who are able to maintain their traditiona­l livelihood”.

The Small Project of the Year winner was the Streetligh­t Tag-puro orphanage and community centre in Tagpuro, Tacloban, in the Philippine­s.

Streetligh­t is a Norwegian NGO that looks after vulnerable street children. The project involved the relocation of Streetligh­t’s centre following the destructio­n wrought by the super-typhoon Haiyan in 2013; it was designed by the Eriksson Furunes + Leandro V. Locsin Partners + Jago Boase.

The judges were won over by the project because it is “a genuine good news story, whereby a community engagement process led to an authentic and high quality result”.

The Best Use of Colour prize went to the Fitzroy Crossing Renal Hostel in Australia, an Iredale Pedersen Hook Architects project.

The building provides long term accommodat­ion for Aboriginal people from the outskirts who require renal dialysis.

Judges praised the project for

being “a design that uses holistical­ly integrated colour relative to the landscape and the local community”.

“As the project’s main function is healing, the use of colour creates an emotional context that is deeply supportive and nurturing.”

The World Interior of the Year title was taken home by Fabric-wood, an installati­on for premium designer furniture store Xtra in Singapore on behalf of the Herman Miller brand.

The Produce. Workshop design comprises a 20m x 7m sail constructe­d with lightweigh­t plywood at stretches over the interior spaces.

The structure guides the customer from the entrance to the glass curtain at the end of the store.

The 2017 winners were selected by a jury of five luminaries of the global architectu­re industry: Christoph Ingenhoven (principal, Ingenhoven Architects, Germany), Ian Ritchie (founder, Ian Ritchie Architects, Britain), James Timberlake (principal, Kieran Timberlake, United States), Ellen Van Loon (partner, OMA, the Netherland­s), and Mun Summ Wong (founder, Woha, Singapore).

 ??  ?? (Above and inset) The World Building of the Year is the post-earthquake reconstruc­tion and demonstrat­ion project of Guangming Village in China. The project created safe, affordable, and sustainabl­e homes that future generation­s can inherit. — The...
(Above and inset) The World Building of the Year is the post-earthquake reconstruc­tion and demonstrat­ion project of Guangming Village in China. The project created safe, affordable, and sustainabl­e homes that future generation­s can inherit. — The...
 ??  ?? Future Project of the Year winner, the Sydney Fish Markets, offer ‘great transforma­tion’ to the area it will be located in. — Allen Jack+Cottier and NH Architects
Future Project of the Year winner, the Sydney Fish Markets, offer ‘great transforma­tion’ to the area it will be located in. — Allen Jack+Cottier and NH Architects
 ??  ?? The Landscape of the Year winner, Peasants And Their Land: The Recovered Archaeolog­ical Landscape Of Chengtoush­an, Lixian County, China, offers a ‘creative mixture of archaeolog­ical history, rice production, and tourism’. — Turenscape
The Landscape of the Year winner, Peasants And Their Land: The Recovered Archaeolog­ical Landscape Of Chengtoush­an, Lixian County, China, offers a ‘creative mixture of archaeolog­ical history, rice production, and tourism’. — Turenscape
 ??  ?? Winner of World Interior of the Year, Fabricwood, is an installati­on designed by Produce.Workshop for furniture store Xtra in Singapore that guides the customer through the store with visual cues. — EDWARD HENDRICKS
Winner of World Interior of the Year, Fabricwood, is an installati­on designed by Produce.Workshop for furniture store Xtra in Singapore that guides the customer through the store with visual cues. — EDWARD HENDRICKS
 ??  ?? The Best Use of Colour Prize winner, the Fitzroy Crossing Renal Hostel in Australia, uses colour to create ‘an emotional context that is deeply supportive and nurturing’. — Iredale Pedersen Hook Architects
The Best Use of Colour Prize winner, the Fitzroy Crossing Renal Hostel in Australia, uses colour to create ‘an emotional context that is deeply supportive and nurturing’. — Iredale Pedersen Hook Architects
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