The Star Malaysia - Star2

No strings attached

The Main Wayang group presents Layang, its first full-length production in an old KL warehouse.

- By ROUWEN LIN star2@thestar.com.my

Multi-Media theatre show Layang, the first full-length production by the Main Wayang group, finds inspiratio­n in many different forms and is rooted in different languages of the mind and body. this is where audio meets visual, warping its appearance and encouragin­g it to take on a life on its own. But then there is also movement in the form of physical theatre and shadow theatre, plus a ride into the surreal with virtual reality and electronic soundscape­s.

Beyond this informatio­n, the Main Wayang group is not going to be revealing too much.

Layang will be playing at the KongsiKl performanc­e space on Feb 10 and 11.

the Main Wayang group, formed in 2014, comprises multi-disciplina­ry artist Fairuz Sulaiman, who is known for his live video projection works, musician Sudarshan Chandra Kumar and actor-director ayam Fared of local theatre collective Rumah anak teater.

Main Wayang is best known for its Hikayat Sang Kancil, a digital/ traditiona­l crossover show, which played at the DPAC arts Festival in 2014 and as a satellite show in 2015 for the Yayasan Sime darby arts Festival 2016.

a new standalone DIY production seemed like a natural progressio­n for talented ch

Layang, clocking in at just under an hour, is an expanded version of a short work-in-progress showcase staged by the group early last year at Kwang tung dance Company in Kuala lumpur as part of the Pandora experiment­al Box 2017.

“Layang is a culminatio­n of ideas and various things we had wanted to experiment with for the last few years. layang provided us with an opportunit­y for us to do this thanks to seed funding from the iNXO arts Fund’s maiden arts grant programme,” says Fairuz, 36.

iNXO arts Fund is a homegrown arts and culture developmen­t platform created by the independen­t iNXO arts and Culture Foundation.

Fairuz explains that layang is built from scratch, without borrowing from existing scripts, stories or formats. its formulatio­n hinges heavily on the trio’s discourse and contemplat­ion on the meaning of theatre and how fluid definition­s can be.

“We throw questions around, we argue, we try to prove each other wrong – or right. Sometimes the entire process feels like a kite being tossed around in a storm. We are all holding onto the string together, and we feel ourselves being tugged in all directions,” he adds.

What Main Wayang ended up with is a performanc­e that is constantly trying to find its centre, a balancing act that the group seems rather happy to tackle.

they operate as a unit, Fairuz shares, referencin­g not just the people behind Layang, but also the equipment and instrument­s work ng in tand th each other, be it mixers or multi-effects processors, virtual reality equipment, drum machine, or that “mysterious cube” that they just won’t stop mentioning but mysterious­ly decline to elaborate on.

these separate entities are intricatel­y woven, each part transformi­ng every segment it touches, to the point where the end result is not something necessaril­y recognisab­le in its original form.

“i like it when we plan to deliver a certain vibe but and then it ends up being something totally different from what we envisioned. it is when such surprises happen that i enjoy the working process the most. it is nice knowing that you are not completely in control,” says Sudarshan, 31.

When asked how they think a general audience might react to an unconventi­onal production like Layang, Fairuz is quick to deadpan, “they might say ‘wah, like that also can make a show, ah?’”.

On a more serious note, however, he notes that he would like them to be inquisitiv­e, curious and critical, to question everything they see in Layang and ponder on why things fit together the way they do. Or perhaps they do not.

“it would be a real shame if we failed to put the audience in a position where they were somehow uncomforta­ble and did not question why they felt that way,” he says.

Layang will be staged at KongsiKl, a warehouse that has been converted into a community arts space. last december, the no-frills venue hosted its inaugural event weekend series called the KongsiKl Site-specific art exhibition and Performanc­e.

For the Main Wayang trio, this new arts space was an ideal choice for the Layang project.

“From the very beginning, we were clear that the performanc­e space should be non-convention­al. KongsiKl fits into our idea that such performanc­es should be more accessible to the public,” says ayam, 33.

“to me, theatre is a space for people to communicat­e and share experience­s with each other, and we need to figure out how best to make such connection­s. is it through lengthy dialogue or a comedy? Or can a simple theatrical experience move and enlighten you? on clud tha hnt of optimism ahead.

Main Wayang’s production Layang plays at KongsiKL, Gudang Yee Seng II, Taman Goodwood, Old Klang Road in Kuala Lumpur on Feb 10 and 11. Showtimes: 8.30pm. Free admission. A crowdfundi­ng campaign is being held to help cover production costs. Lend your support at mystartr.com/projects/layangbyma­inwayang. FB: Main Wayang.

 ?? — Core Minimal ?? Rumah Anak Teater performer Ayam Fared will add the human element to the experiment­al backdrop of the Layang show.
— Core Minimal Rumah Anak Teater performer Ayam Fared will add the human element to the experiment­al backdrop of the Layang show.
 ?? DANIEL STEVE TRINIDAD ?? Layang combines technology, movement and motion of the human body in its attempt to communicat­e stories and contempora­ry issues affecting the human condition.
DANIEL STEVE TRINIDAD Layang combines technology, movement and motion of the human body in its attempt to communicat­e stories and contempora­ry issues affecting the human condition.

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