The Star Malaysia - Star2

Standing proud after almost 100 years

This house built in 1920 holds its own against the condominiu­ms surroundin­g it with its heritage charm.

- By TOH WEN LI

THE area around St Michael’s Road in Kolam Ayer, Singapore, has witnessed a sea change in the past century. What was once a Eurasian enclave is now a densely built neighbourh­ood of high-rise condominiu­ms and public housing.

But tarry in the neighbourh­ood a little longer and you might just notice some of the last vestiges of the past: a bungalow tucked away on St Francis Road that has belonged to the same family for a century.

“This is the only one left on this road,” says retired education psychologi­st Louise Clarke, 65, who lives there with her 99-year-old father, Gerard Clarke.

“The area has changed. We have to accept it, we are living in Singapore. But it’s the intangible­s that people don’t realise,” she goes on, adding that many old neighbours started selling off their homes in the 1960s.

Because the bungalow is now dwarfed by tall buildings, she laments that its garden now receives less morning sun. Its forget-menots are all gone and the rain lilies do not grow as well as they did before. But the oldest trees in the compound – jambu and nam nam from Ceylon (now Sri Lanka) – planted by her grandfathe­r are still alive.

The neighbourh­ood near the Kallang and Whampoa rivers was swampy and prone to flooding, but the close-knit Eurasian community who lived there appreciate­d its countrysid­e-like vibe and the fact that it was not too far from the city.

The brother-in-law of Louise’s grandmothe­r bought land in the area in the early 1900s and sold parcels of it to her and another sister-in-law, which allowed the relatives to grow up side by side.

The house, with elements reminiscen­t of the Arts and Crafts style that flourished in Europe over a century ago, has a timber frame with brick in-fill. A Gothic finial and decorative bracketing adorn its exterior. Inside, high ceilings, jalousie windows and raised piers help keep the place cool in the tropical heat.

Louise’s father used to work in the shipping department of the Shell oil company, while her mother was a director at automotive company Inchcape. Her elder brother now lives in Britain.

The bungalow has stayed true to its original spirit. As in the 1920s, a wooden ornamental screen divides the living room area in two. And if you look closely at the wooden posts, “you can tell they have been handcut with an axe”, says Louise.

Up until the 1930s, her maternal grandparen­ts and their three children lived here.

“Then the war disrupted everything. My mother and grandmothe­r evacuated to India on a boat. My grandfathe­r died – he wasn’t able to evacuate on a ship because he was male,” says Louise.

Their house was looted during the war and suffered damage – such as a “crater-like” hole at the top of the front steps – but some things from yesteryear remain. These include a huge wooden Art Deco cupboard, and old ceramic plant pot stands.

Louise, who is single, hopes the house she grew up in will stay in the family. Still, anything could happen in the future, she says. “I am a pragmatic Singaporea­n.” – The Straits Times/Asia News Network

 ??  ?? The bungalow is now dwarfed by tall buildings so its garden now receives less morning sun, says Louise. — Photos: ST/ANN
The bungalow is now dwarfed by tall buildings so its garden now receives less morning sun, says Louise. — Photos: ST/ANN
 ??  ?? Anthropolo­gist and Singaporea­n historian Julian Davison describes the bungalow as a stunning example of ‘East Coast vernacular’.
Anthropolo­gist and Singaporea­n historian Julian Davison describes the bungalow as a stunning example of ‘East Coast vernacular’.
 ??  ?? Louise Clarke (standing) and her father, Gerard Clarke, in the bungalow’s living room featuring the traditiona­l handcarved wooden screen.
Louise Clarke (standing) and her father, Gerard Clarke, in the bungalow’s living room featuring the traditiona­l handcarved wooden screen.

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