The Star Malaysia - Star2

Daring to fill the void

A group exhibition at G13 Gallery highlights how artists define and react to space.

- By TERENCE TOH star2@thestar.com.my

In science fiction, they say space is the final frontier. On the other hand, space is probably the first frontier to explore in art. Whether it comes to figuring out the perspectiv­e of a painting, or estimating the physical presence of a sculpture or installati­on, playing with space has always been a major aspect of any artist’s technique.

Let’s also not forget inner space: art is supposed to explore the parts of our minds or hearts.

Space, in all forms, is the theme of Filling The Void, a group exhibition currently on at the G13 Gallery in Petaling Jaya.

The exhibition, featuring 30 artworks from Alexandra Hon, Amy nazira, Azizul nasir, Cheong Tuck Wai, Gan Sze Hooi, Gan Tee Sheng, Khairudin Zainuddin, Raimi Sani and Yuki Tham, highlights the way people define and react to space.

“In their work, artists create a space. We can see the emotions inside the space. It’s a space we can relate to, whether in the interior or the exterior. You can’t convey a message if your space is blank. All the space in these works have their own roles in art creation,” explains Kenny Teng, G13 Gallery founder.

Filling the Void is an eye-catchingly attractive show, especially as you soak in the paintings on display. The Khairudin Zainudin’s works Mengfungsi dan Difungsi feature figures splashed against a bright, colourful background, their forms blurry from rapid movement. The frantic activity and non-stop hustle of these places do hint to the artist’s travels to Hong Kong and Taiwan.

Just as interestin­g are Azizul nasir’s works such as Srikandi Halhamera and Inspirasi Tataguk. Both feature wide, somewhat colourful places, packed in with various birds in flight. It places a creature usually known for freedom within an enclosed area, creating an interestin­g contrast.

Cheong Tuck Wai’s works seem to more topical, with the plight of refugees and homelessne­ss cropping up in the conversati­on. His pieces feature large, desolate landscapes (many based on places he knew in his hometown of Kuantan), with tiny figures scattered throughout.

“I wanted to figure out how I could get those emotions of being lost and cut adrift across. I think the uncertaint­y of life – and its transient directions – is what these works are trying capture,” says Cheong, 39, a senior art lecturer.

The works of Yuki Tham, 26, on the other hand, are quietly intriguing. On the surface, she paints beautiful young women engaged in seemingly ordinary activities, but each painting has its own story.

There is mystery in Follow Me, showing two women: one is blindfolde­d and the other guiding her. Both women are actually the same person.

Tham says this work is a rumination on self-esteem.

“It’s about trust in yourself. When we have decisions to make, we just have to follow our hearts and feelings. This painting takes place in a building with many levels, with lift doors closing or opening. Either going up or down. There are many different paths in our life,” says Tham.

“We’re all living in a space, and eventually we will leave our own traces on it. Every person makes their own space. And painting is a space for me to express my feelings. Through painting I can create the atmosphere I want, tell the stories I want. It’s another space for me to escape from reality,” she concludes.

Filling The Void is showing at the G13 Gallery, GL13, Ground Floor, Block B, Kelana Square, Jalan SS7/26, Kelana Jaya, Selangor till April 21. Open daily: 11am-5pm except on Sundays and public holidays. Visit: www.g13gallery.com or contact 03-7880 0991.

 ?? — Photos: G13 ?? Yuki Tham’s
Follow Me (oil on canvas, 2018).
— Photos: G13 Yuki Tham’s Follow Me (oil on canvas, 2018).
 ??  ?? Alexandra Hon’s The Aurelian (oil on canvas, 2018).
Alexandra Hon’s The Aurelian (oil on canvas, 2018).
 ??  ?? Khairudin Zainudin’s Merasa Ruang (scratched on photo printed aluminium, 2018).
Khairudin Zainudin’s Merasa Ruang (scratched on photo printed aluminium, 2018).

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