The Star Malaysia - Star2

Strong legacy

Fernando Botero’s works are as monumental as the man himself.

- By DINESH KUMAR MAGANATHAN star2@thestar.com.my

FERNANDO Botero grew up in the small town of Medellin in Colombia.

There was nothing inspiring about the town. It had no cultural traditions, no great museums and no acclaimed artistic community. and his father died young, leaving the family destitute.

But Botero had a monumental dream of becoming a great artist one day.

It could have very well have remained a castle in the air. But life and fate had other plans for Botero.

“My father is at the pinnacle of the world of art,” says a proud Fernando Botero Jr, Botero’s eldest son.

he was at the St Regis Kuala Lumpur last Saturday to talk about the legacy of his father, who shot to fame for his renowned “Boterismo” style.

his signature style, which Botero Jr says has an internatio­nal appeal that is very rare for an artist, is all about playing with volume and exaggerate­d proportion­s.

The 86-year-old is one of the world’s most sought-after contempora­ry artists and has had more than 50 exhibits in museums, art galleries and parks in cities like Paris, New York, Barcelona and Singapore.

Some of his recent exhibition­s have been held in Beijing and Shanghai, with China’s art enthusiast­s showing great enthusiasm for the outsize works.

one particular­ly interestin­g exhibition, according to Botero Jr, was the 2017’s Botero: A Dialogue With Picasso show held at the hotel de Caumont in aix-en-Provence, France. This exhibition presented Botero’s works side by side with major pieces by Pablo Picasso, the very artist who inspires the South american.

originally an illustrato­r for Spanish newspaper El Colombiano, Botero enrolled in the San Fernando Royal academy of Fine arts in Madrid and became a painter before taking on sculpting in 1973.

“You can spot a Botero from miles away,” enthuses Botero Jr.

he says this sort of style is something “very difficult to achieve in art, to make something that is immediatel­y recognisab­le. This is how you know you have made a contributi­on to the history of art.”

That rings true for the towering bronze horse sculpture housed in St Regis’s drawing Room. Simply called Horse, the largest horse sculpture by the Colombian artist, weighing 2.5 tonnes and standing at 3.6m x 3.5m x 1.8m, immediatel­y commands awe and reverence.

The 61-year-old Botero Jr, who served as Colombia’s National defence Minister between 1994 and 1995, shares that his father’s discovery of the Boterismo style was a serendipit­ous moment.

“My father was chosen to represent Colombia to study under diego Rivera. The great Mexican artist was dying and contacted his government and asked them to invite an artist from each Latin american country so that he could teach them the tradition of Mexican muralism.

“For one of his assignment­s, my father had to paint a still life image of a guitar. all he could find was a guitarron, which is a very large guitar. For one strange reason, my father forgot to paint the small circle in the middle of the musical instrument.

“and when he gave the painting to Rivera, he took the brush from my father’s hand and did a very small circle in the middle of the guitarron and boom! Suddenly, the instrument became very huge and he discovered his style,” relates Botero Jr.

one of the Botero’s noteworthy works is his Abu Ghraib series from 2005. First exhibited in europe and then in the United States, the artist used his Boterismo touch to depict reports of the abuse of prisoners by american forces at the abu Ghraib prison during the Iraq War (20032011).

one thing that his father holds closely to his heart, says Botero Jr, is that his art is able to provide pleasure.

“The great tradition of art is to always provide pleasure. The Impression­ist artists produced works during wartime but their paintings depicted beautiful subject matters.

“This is something that contempora­ry artists rarely follow and my father wanted to provide that same, pleasurabl­e artistic experience for viewers,” he says.

But, most importantl­y, people interact with Botero’s work, and it is this that makes him happy. That explains the sheer volume of his monumental sculptures. Botero Jr says his father is greatly delighted when people touch and feel his sculptures, and take photograph­s with them.

Fortunatel­y for us, we have a Botero sculpture in the heart of KL. Go and feel it. Interact with the monumental horse, as Botero wants you to do.

 ?? — Photos: M. AZHAR ARIF/The Star ?? Horse is Botero’s largest horse sculpture to date.
— Photos: M. AZHAR ARIF/The Star Horse is Botero’s largest horse sculpture to date.
 ??  ?? One thing that Botero holds closely to his heart, says his son, is that his art is able to provide pleasure.
One thing that Botero holds closely to his heart, says his son, is that his art is able to provide pleasure.

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