The Star Malaysia - Star2

A revolution­ary women’s show

- By CAROLINE FRAMKE

THIS year, I’m acid, and heat. thankful for salt, fat, It’s no exaggerati­on to say that Samin Nosrat has changed the way I think about food: the acts of under standing it, making it, and most impor tantly, lovin it. I’ve watched her meticulous, compassion­ate Salt Fat Acid Heat series several times over in the month since it came out, trying to absorb its lessons and warmth like her vegetables did with generous heapings of salt. Because even after so many years of salivating over food travel shows (there’s truly no job that sounds more appealing than travelling the world through food), Nosrat’s version sur prised and thrilled me in just about every way.

Directed by Caroline Suh, the series weaves between gorgeous shots of dishes and vistas and practical lessons, bringing the best of both worlds together in a way that makes you won der why it took so long. Taking cues from her seminal cooksame title, Nosrat delves into salt, fat, acid, and heat as the cornerston­es of good cooking by traveling to a new and particular­ly relevant country in each episode.

In order to prove why fat can be both an indulgence and necessity, she goes to Italy to explore the origins of cheese, olive oil, pork, and homemade pasta.

To demystify salt, she lands in Japan, where thousands of different salts (including those found in traditiona­l accouterme­nts like soy and miso) lend different textures to every meal.

To prove the power of acid slicing through an otherwise bland meal, she goes to Mexico, sampling salsas and fruits so sharp they make her suck the juice through her teeth with joy. Finally, she goes back home to Berkeley, California, in order to play with heat, bringing everything she’s learned and taught together in order to make a meal.

By distilling food down to these four most basic elements, Nosrat is able to both celebrate the cuisines of each country while uniting food cultures across the world in their respective masteries of salt, fat, acid, and heat.

But even though the demonstrat­ive aspects of this series have proven the most useful in my daily life (my roasted vegetables will never be the same, thank god), the reason why Salt Fat Acid Heat nestled its way into my heart is because of how it consciousl­y makes room for people who rarely get to show off their knowledge like they do here.

To wit: it’s rare to see travel shows star women as hosts or experts, let alone an Iranian-American one like Nosrat.

Growing up Iranian-American myself, I knew how important food was to Persian culture (all you had to do to know that was look at the mountains of rice inevitably adorning our tables, always far more than we could handle and more delicious than anyone could anticipate).

Still, I’d gotten so used to no one outside the community acknowledg­ing as much that to hear Nosrat wax poetic about crunchy rice tahdig and the zips of acid Persian cuisine holds dear was genuinely startling, in the best way.

As with most genres, food travel shows tend to centre around white guy tourists, figures that have long been designated the default audience proxy. One of the reasons why Anthony Bourdain was so good was because he was self-aware enough to actively push back against that role, always knowing when to step back and let local chefs take the lead, but he still turned to women experts on a relatively rare basis.

A common sight on Places Unknown was Bourdain and company eating an elaborate home meal prepared by a nearby matriarch, who would accept their praise with quiet satisfacti­on before disappeari­ng again into the background.

Salt Fat Acid Heat gives those matriarchs the spotlight and the space to express themselves and their traditions. Nosrat plays happy sous chef to women who teach her how to make Italian pesto, Japanese miso, and Mexican turkey, all from loose recipes passed down over the years to become cemented in delicious tradition. (She also speaks both Italian and Spanish, which lends a refreshing informalit­y to her time in the correspond­ing countries that other food shows tend to lack in translatio­n.)

By the time Heat rolls around, Nosrat enlists her own exacting mother to help make Persian rice, a personal and complicate­d process that ties together all the lessons of the series, with a personal touch.

All these segments are stark and sensitive reminders that for all the pomp and circumstan­ce of Food Culture, the fundamenta­ls of cooking were born and thrive in the home kitchen. Great food comes from trial, error, and love for the people eating it threaded all the way through.

Hopefully more will follow Salt Fat Acid Heat’s lead and not just acknowledg­e as much, but celebrate it with a warm meal and warmer heart. – Reuters

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