Crossing the Red Line
Noah Wyle gets in the centre of police shooting drama in a new series set in Chicago.
NOAH Wyle is back in Chicago for a TV drama that’s far different than the 1990s hit ER that launched his career.
In CBS’ limited series The Red Line, Wyle’s character loses his African-American spouse in a mistaken police shooting that’s the catalyst for family anguish and social uproar.
Wyle, who went from freshfaced Dr Carter in NBC’s 19942009 medical drama ER to action series including The Librarian and Falling Skies, choked up as he discussed The Red Line, a title referring to a major train line that cuts through Chicago’s diverse neighbourhoods.
“My emotional reaction to my first reading of the script was so intense. I’ve never read a piece of material that moved me like that. I can’t even talk about the show without getting upset,” Wyle told a TV critics’ meeting, pausing to gather himself.
In the eight-episode limited series debuting April 28 in the United States, the shooting of teacher Daniel Calder’s doctorhusband leaves him as single dad to their daughter, Jira.
The survivors are mired in grief, while the white police officer at fault for killing an innocent man faces the public and legal repercussions of his actions.
Noel Fisher plays Officer Paul Evans, Aliyah Royale plays Jira and Emayatzy Corinealdi is Jira’s birth mother in the series from executive producers that include Greg Berlanti (Arrow), Ava DuVernay (Selma) and Erica Weiss and Caitlin Parrish. The latter two are Chicago writers whose play inspired the drama.
The series is a departure for CBS, long criticised for a lack of ethnic diversity in its scripted series. While the network has started to make up ground in recent seasons with inclusive casts, a series that promises a direct take on a highly charged social topic is unusual for CBS, as is the limited format.
“We never got push-back on content,” said Weiss, including on what she called “the thornier elements.”
The series intends to look at all those deeply affected by the tragedy, from the victim’s survivors to the police officer and his family, the producers said. The intent is to bridge the gap between the “two Americas living side by side,” said Parrish, and, as Weiss said, “perhaps see themselves more clearly.”
Corinealdi echoed that point, saying the US needs to confront “our family business.”
“There is an epidemic that’s happening, when black men are being systematically killed,” the actress said. “To be able to discuss that on this kind of scale is important and it’s necessary. For me, that’s one of main reasons I was excited about walking into this role.”