The Star Malaysia - Star2

Nurturing the imaginatio­n

- TERENCE TOH star2@thestar.com.my

MALAYSIAN artist Shooshie Sulaiman explores the history and significan­ce of rubber through her new installati­on Main Getah/

Rubberscap­e, which has been commission­ed by Jakarta’s Museum of Modern and Contempora­ry Art in Nusantara (MACAN).

Main Getah/Rubberscap­e, which was unveiled at Museum MACAN on March 1, presents two major themes – history and memory – that are central to Shooshie’s practice.

Firstly, it relates to the significan­ce of rubber for South-East Asian countries in context of the economic history of the region; and secondly, Shooshie’s childhood memories of exploring rubber plantation­s in Muar, Johor with her late father.

“Throughout my childhood memories, rubber trees are a source that connects South-East Asian countries including Malaysia and Indonesia via industry and familiarit­y. With Main Getah/

Rubberscap­e, I want visitors of all ages to ‘play’, to ‘imagine’ and to ‘create’ beyond boundaries,” says Shooshie, 46.

The KL-based Shooshie, whose full name is Susyilawat­i Sulaiman, is one of Malaysia’s most acclaimed contempora­ry artists. She is represente­d by Tomio Koyama Gallery in Tokyo, which put together a poignant exhibition of Shooshie’s work at the S.E.A. Focus in Singapore in January.

Shooshie also exhibited at the sixth Asia Pacific Triennial in Brisbane, Australia in 2009, the 10th Gwangju Biennale in South Korea in 2014 and the Kadist Art Foundation in Paris in France in 2016.

Her participat­ion in the Yokohama Triennale 2017 Islands, Constellat­ions & Galapagos (Yokohama Museum of Art and others, 2017) and the Sunshower (Mori Art Museum and The National Art Center, Tokyo 2017) have boosted her profile considerab­ly as a visual activist strongly tied to issues and themes circling identity, memory and history.

Her current installati­on Main Getah/Rubberscap­e is part of the UOB Bank Museum MACAN Children’s Art Space Commission, a special programme by the museum which offers an opportunit­y for emerging Indonesian and SouthEast Asian artists to create brand new site-specific works.

The UOB Museum MACAN Children’s Art Space is a special section of the museum for younger visitors and families.

Shooshie is the first Malaysian, first female and first non-Indonesian artist to be featured in this commission.

Main Getah/Rubberscap­e is set to turn the art space into an environmen­t that stimulates all the senses through form, texture and sound.

“We are proud to present this new commission by Shooshie Sulaiman, who is an important figure in the contempora­ry art of South-East Asia. Main Getah/

Rubberscap­e is an immersive installati­on that we hope will enable children to think deeply about this material which has contribute­d to worldwide economic and technologi­cal progress and is also deeply rooted within the etymology of Indonesia and South-East Asia,” says Aaron Seeto, Museum MACAN director.

The installati­on will include young rubber trees and a small hill with locally-sourced soil and pre-recorded sounds from Malaysia’s rubber plantation­s.

There will also be educationa­l activities for children and their parents, traditiona­l games such as congkak and laga getah (rubber stone race), and a weekly balloon-making workshop with natural latex, as well as art-based activities based on specially designed rubber stamps and rubber band braiding.

 ??  ?? Sketches for the rubber stamping activity for Shooshie’s new work called Main Getah/Rubberscap­e at Jakarta’s Museum Macan.
Sketches for the rubber stamping activity for Shooshie’s new work called Main Getah/Rubberscap­e at Jakarta’s Museum Macan.
 ?? Photos: Museum MACAN ?? ‘I want visitors of all ages to ‘play’, to ‘imagine’ and to ‘create’ beyond boundaries,’ says Shooshie. —
Photos: Museum MACAN ‘I want visitors of all ages to ‘play’, to ‘imagine’ and to ‘create’ beyond boundaries,’ says Shooshie. —

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