The Star Malaysia - StarBiz

A gift that transforme­d into a business

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ENTERPRISI­NG couple Ruben and Trina Flores share a fascinatio­n for leather, and this spurred them into putting up their own leather bag business, Bags by Rubbertree.

It all started in 2008 as a birthday gift idea, and something of a dare between the couple who were still dating at that time.

Ruben proudly told Trina that he would make a custom bag for her birthday. Trina dared him to go ahead. He bought leather and cut it according to the design he had in mind.

However, they hit a dead end when it came to sewing it into a finished product. There were no local makers up to the task; it was either a factory set-up that accepted only orders in bulk, or smaller shops that were limited to doing repair on leather goods, not creating new ones, narrates Ruben.

For three years, the cut leather simply sat in their studio. That is, until 2011, when Trina came across the work of a Japanese entreprene­ur outside of Tokyo who created bags throughout the year, then sold them in an annual exhibit.

Hoping to learn the tricks of the trade, Trina quickly ordered the entreprene­ur’s book.

Although everything was written in Japanese, it was highly visual, much like a DIY sewing magazine, and even provided a pattern.

This marked the first lesson in Trina and Ruben’s education on leather bag creation.

Still, it was no easy road to starting a business.

Essential to this endeavour are the tools necessary to come up with a finished product. At that time, most tools were for leather shoes, so everything they did was through trial and error.

“We ended up making do with what was available. What was exciting about it was that great urge for understand­ing it. We wanted to do this properly,” Trina recalls.

With this mindset, the couple started off with a dozen pieces, with the first item derived from the book.

After the first piece, Ruben says they were empowered to explore the craft on their own. They credit their alma mater, the College of Fine Arts of the University of the Philippine­s in Diliman, for their work ethic and discipline.

Ruben has a Bachelor of Arts degree in Industrial Design while Trina graduated with a degree in Studio Arts, majoring in painting.

The first public exposure for Bags by Rubbertree was at a fair in Quezon City in November 2012.

They created 12 major pieces and 20 card cases for the arts and crafts pop-up store. For this, Ruben and Trina started with three rolls of leather worth 6,000 peso.

From then on, they decided to continue with their bag production, but still on a scale they were comfortabl­e with.

All products of Bags by Rubbertree are hand-cut and handstitch­ed by the couple, and their two assistants.

Currently, their leather items are classified into these categories: small stuff, travel bags, totes, backpacks, messengers, sling bags, camera bags and suede, with a numbered logo tag stitched on each item.

In a week, given enough leather to work with, the Bags by Rubbertree team can produce about 10 totes and five satchels or two big backpacks.

Functional­ity and simplicity are primary considerat­ions in their designs. Trina shares that they do not have a specific market in mind for their bags, to which Ruben adds that they do not consider coming up with a type of product simply because it is popular.

Rather, they try to answer these questions: “Would I use it? Do I like the size? Will it be useful for an everyday bag?”

Ruben notes that there is no regularity in the designs they come up with as they enjoy being spontaneou­s in their creative process.

Sometimes, they have simple builds while there are instances where they focus on producing big- ger items.

Part of the reason for this is their dependence on the availabili­ty of leather which can be limited to one hide at a time or 10 pieces at most, Trina explains.

However, she considers such dependency a strength of the business as it challenges them to think on their toes.

“It’s healthy, creativity-wise,” she adds.

Bags by Rubbertree sources its materials from local firms as well as suppliers in Japan and Hong Kong.

Another challenge is working with the leather material itself. The different types of leather react differentl­y to the humid Manila weather, with some even growing mold.

“Sometimes, it’s hard to explain to a client that it’s really the weather, but then [it was a bad call on our end that we got that leather], so we willingly changed the bag. We really took the hit through the years, but I felt we needed that because it keeps you grounded. It keeps you aware of your material, of how it will perform,” Trina notes.

It is no longer uncommon for couples to venture into business, but it can be tricky.

How are Ruben and Trina as business partners?

“Very good. It’s actually fun. It works. Thankfully, we have the same aesthetics. We have the same editing laws,” Trina says.

Ruben explains that they first agree on the design. After that, they work independen­tly on their pieces, but confer with each other during the creation or production process.

She says having their own design practice prior to establishi­ng Bags by Rubbertree was a factor behind their smooth working relationsh­ip, as they already know how to deal with clients.

Initially, the couple thought bagmaking would simply be a new addition to their design studio, but the income it has been generating is already at par with, sometimes more than, that brought in by their design business.

Does the Flores couple already consider Bags by Rubbertree a success at this point?

“Getting there,” Ruben says. Within five years, Trina hopes to have a studio dedicated to their bags.

It will be a shop where they can receive clients, but will still primarily be a workplace.

Establishi­ng a business is no easy feat; making it a success, even more so.

In the case of Ruben and Trina, it is a matter of doing something that they love. — Philippine Daily Inquirer/Asia News Network

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